All reviews all the time! Home   Movies   Music   Video Games


 Search Amazon
  
 Browse CDs 

 Browse Songs 

 Amazon Music Lists 

 Other

 

10000031

 

 

All-Reviews.com Top 50 Songs*:
for the 1st week of February, 2003

*based on airplay at alternative, pop and rock radio stations a cross the nation (reviews by LarryG)

music cd song reviews Change Week music cd song reviews
Current Week  |  Main Song Chart Page
(songs 1-25)

  1. Matchbox 20-Disease    (down 11 positions)      buy it!
    Matchbox 20 has made a career of catchy pop songs with a touch of rock edge. None of their singles are great art but they're usually easy to listen and there's occasionally something interesting going on. The band's knack seems absent on Disease off the More Than You Think You Are CD. Disease's familiarity will get it a lot of airplay but it's pretty bad. Disease sounds a lot like Smooth, Rob Thomas' contribution to Santana's Supernatural CD. Its "'til I'm free of my disease" fade out sounds just like Smooth's "Or else forget about it." Disease doesn't have the light feel and easy flow Santana's rhythm based music gave Smooth. Disease is pretty heavy. Thomas does a dramatic vocal but the song doesn't have the substance to support the emoting. Thomas wrote Disease with Mick Jagger, who presumably chose not to include it on his Goddess In The Doorway CD. I don't really understand Disease's lyrics. On the first verse, Thomas chastises a partner for making "somebody's heart break" and taunts her: "I am stronger than you know/I have to let you go." After that, he tells us "my world is comin' down" and "I can't live without you" and he needs her to "keep your distance from me" until his obsession fades.

  2. Jay-Z featuring Beyonce-03 Bonnie & Clyde    (down 2 positions)      buy it!
    03 Bonnie & Clyde, from The Blueprint 2: The Gift and The Curse, is Jay-Zs biggest pop hit so far(yeah Im pretty sure its even bigger than that Hard Knock Life song). Not being the most knowledgable hip hop fan, I thought of Coolios Gangstas Paradise when I first heard 03 Bonnie & Clyde. Of course, the most direct influence on 03 B & C is Tupac Shakurs Me and My Girlfriend. Jay-Z reminds me of his fellow ultra successful entrepreneur P. Diddy. They both arent so skilled as rappers but get by with their spoken voice style on confidence and a forceful personality. Especially on 03 B & C, my votes with Jay-Z. His rap is fairly uninflected but it has an appealing directness and doesnt have the silliness and ego that can plague Diddy. With a good, steady beat and acoustic guitar riffs, Jay-Zs unstoppable vocal and the soft, sexy contributions of Jay-Zs real life girlfriend Beyonce Knowles, 03 B & C has an appealingly smooth, relaxed flow. The lyric paints a sweet picture of domestic bliss. Depicting he and B as the new Bobby and Whitney(an unusual choice of romantic role models), Jay-Z describes a relationship of free communication(except when Bs watching Sex and The City) where each would do anything necessary for the other and disses dudes that treat the one that you lovin with the same respect as the one that you humpin.

  3. Good Charlotte-Lifestyles Of The Rich And Famous    (down 1 position)      buy it!
    I like twin brothers Joel and Benji, Good Charlotte's singer and guitar player, as hosts of MTV's All Things Rock. They're pleasant, self deprecating and not too stupid. I certainly prefer them to the blond bimbo who seems to have replaced them. But Good Charlotte's good nature isn't enough to make me like the single from their The Young and The Hopeless CD. Lifestyles Of The Rich And Famous feels a little stale. Wasn't the tv show the song's named after on more than 20 years ago? And the choices of famous people to exemplify famous person misbehavior, O.J. Simpson and Marion Barry, aren't exactly fresh. Lifestyles also suffers musically from similarity to other poppy punksters. If anything distinguishes Lifestyles from recent hits by New Found Glory, Sum 41, I'm missing it. With big, upbeat drums, high energy vocals and a catchy chorus, Lifestyles is pleasant and easy to listen to, like a perky cover band's version of Iggy's Lust For Life but it's so unimaginative and unoriginal that it barely gets my attention. Lifestyles Of The Rich And Famous has the punky/Robin Hood premise that since the rich and famous are self pitying, they deserve to be taught a lesson by having their mansions burglarized or being forced to live on the street. It doesn't address how a modicum of fame and riches will effect Good Charlotte though, in their defense, I don't think they'll be "always complaining." Good Charlotte seem like nice guys. Too bad their single's music and lyrics aren't more interesting.

  4. Sum 41-Still Waiting    (down 1 position)      buy it!
    Sum 41's new CD is called Does This Look Infected? Sum 41 broke through with the youthful, poppy, punky hits from All Killer, No Filler CD. Still Waiting shows signs that the band is making the huge mistake of wanting to grow up and be taken seriously. Still Waiting's video reveals jealousy at the critical respect The Strokes receive. On Fat Lip, the band just demanded the chance to have a good, stupid time. Now they want us to believe that they're looking for "hope to believe" in a world full of hating. It seems clear that Sum 41 is best suited to make dopey, fun music and that's what people want from them. Still Waiting, with its attempt at lyrical significance and Derick Whibley's meaningful ranting, has an uncomfortable resemblance to the lesser work of The Offspring, whose music seems to get stupider the more they try to seem smart. Still Waiting does show benefits of Sum 41's new intensity. I don't love the darkness of the singing and Whibley and Dave Baksh's guitar but I do like that Still Waiting is fast, energetic and focused, without the foolishness that has made some of their music more cutesy than fun.

  5. Kid Rock and Sheryl Crow-Picture    (up 6 positions)      buy it!
    Until Picture was released as a single, Kid Rocks Cocky CD wasnt selling and his career was in decline. Now, a year and a half after it was released, Cocky is another multiplatinum hit for Kid Rock. Ive never been a Kid Rock fan but Picture impresses me. Picture shows more smarts than I thought Kid Rock had. Picture, with its story of a guy cheating on the road while his woman cheats at home, has the feel of a country classic. Kid Rock uses the comfort of a traditional form but doesnt condescend. Pictures music gets an authentic feel from steel guitar but doesnt overdo the twang. The music stays nicely minimal with restrained drumming and organ and a good, simple guitar solo. Kid Rock isnt a great singer but hes decently controlled. As usual, vocal pro Sheryl Crow is solid. Shes a natural with a country ballad but she doesnt upstage Kid Rock. Picture is a big improvement over Kid Rocks previous hit ballad, the self pitying God Only Knows. Picture has a surprising sad sweetness. The adulterers regret their actions and both just want him to come back home.

  6. Disturbed-Remember    (unchanged)      buy it!
    Remember is the second chart hit from Disturbed's Believe CD. Remember is another piece of trash from the Chicago based band led by troubled singer David Draiman. Disturbed apparently weren't satisfied selling millions of their angry, edgy, threatening Sickness CD. Believe preserves Distubed's attacking, nasty sound but it also seems made with one eye to the market. Remember has a slightly calmer, commercial sound than the band's previous hits. Disturbed's attempt at mainstream rock success makes them seem lamer than ever. On Remember, Draiman again tells about his excruciating inner sickness. Draiman apparently had suppressed "pain I felt so long ago." He is no longer able to ignore the pain but he tries to hide it behind a mask. For a guy who comes on like such a tough guy, Draiman is quite a whiner.

  7. Pink-Family Portrait    (down 2 positions)      buy it!
    When her M!ssundaztood CD came out, Pink proclaimed that she was taking a huge chance by abandoning a safe musical formula. As its turned out, Pink just traded one radio friendly style for another slightly different one. In retrospect, the real chance Pink took was in filling M!ssundaztood with all kinds of biographical information. The risk has paid off. Pink was a fairly generic dance pop artist. Now she has a very identifiable image as feistily overcome obstacles life has thrown at her. Family Portraits success is the clearest sign yet that a large audience is willing to follow Pinks search for self discovery wherever it goes. Pinks previous hits were catchy enough that listeners could just have been tolerating the self expression because the music helped it go down easily. The only purpose of Family Portraits music is to accentuate the poignant mood and stay out of the way of Family Portraits story. Family Portrait is unadorned enough and apparently so much about Pink that much of its appeal must come from its vicarious look at Pinks youth. Family Portraits soap opera style piano brings Mary J. Bliges No More Drama to mind. But unlike that songs self dramatizing portrayal of not being dramatic, Family Portrait keeps things fairly subdued until pushing the emotional buttons by closing with a kiddie chorus. Family Portrait, with Pinks character feeling responsible for and trying to fix up her parents screwed up relationship, doesnt say anything about domestic strife that hasnt been said in dozens of TV movies but Pinks pained delivery sounds real enough that her simple portrayal of a dysfunctional family packs some emotional power, even with its cliches. Nothing about Family Portraits music gets my attention. And in conjunction with its video, with a tv commercial cute kid playing young Pink, Family Portrait is too much of an ego massage for my liking. But Pinks fans surely appreciate the chance to fill in her back story.

  8. System Of A Down-Innervision    (down 7 positions)      buy it!
    Innervision is on Steal This Album, a collection of songs that didn't make System Of A Down's first two records. Innervision is good and similar enough that it would have fit on the Toxicity CD. Innervision has the great, bizarre energy of songs like that CD's title track. Guitar player Daron Malakian, bass player Shavo Odadjian and drummer John Dolmayan all play fast and hard and contribute to Innervision's exciting intensity. Singer Serj Tankian is, typically, so passionate that he almost seems possessed or insane, veering between crooning and shrieking. A lot of the fun of a SOAD song is following its twists. In its 2 minutes, Innervision shifts from speed metal to a hardcore bridge with Tankian ranting "It's never too late to reinvent the bicycle." Malakian appropriately shifts his guitar to a quiet, dreamy sound for Serj's epiphany("there is only one true path to life, the road that leads to all, leads to one.") then the song crunches to a conclusion. Malakian sings on Innervision about seeking the guidance of an unnamed spiritual source.

  9. Tori Amos-A Sorta Fairytale    (unchanged)      buy it!
    Tori Amos had some mainstream radio success with songs like God, Silent All These Years and Crucify from her early solo CDs Under The Pink and Little Earthquakes. Recently, Amos' career has taken a slightly more obscure path, concluding with 2001's Strange Little Girls, her collection of songs originally done by guys. A Sorta Fairytale, supported by a bizarre video with an oddly poignant conclusion, is Amos' first hit in the four years we've been doing the All-Reviews top 50. A Sorta Fairytale, from Amos' Scarlet's Walk CD, is a nice reminder of Amos' gift for mixing melody, classicism and eccentricity. A Sorta Fairytale shows Amos' ability to subtly grab our attention. A Sorta Fairytale starts quietly with Amos' delicate piano playing and an effective, fairly inobtrusive drum machine beat. It builds a little on the chorus which has David Torn's good, simple guitar riff. A Sorta Fairytale also varies its subdued sound with a slightly brighter bridge. Amos sings slowly. Her vocal is restrained but her thoughtful, interesting personality still shines through. A Sorta Fairytale's sound matches its lyrics. Amos sadly relates how an apparent "life long thing" relationship was lost.

  10. T.A.T.U.-All The Things She Said    (up 6 positions)      buy it!
    A lot of contemporary European music is garbage. People on the continent seem to love music that takes 70s disco and makes it even more glossy and superficial. However, All The Things She Said reminds me of how, after listening to American pop carefully produced to sound familiar, European music, with its love of big sounds, over the top dramatics and odd subjects, can be refreshing. All The Things She Said, from T.A.T.Us 200 Km/h In The Wrong Lane CD, with its big beat and power chords, cheesy synths and anguished vocals, is currently one of my favorite pop songs. The frantic emoting of Julia Volkova and Lena Katina, T.A.T.U.s young Russian singers(who are probably not real life lovers), effectively matches All The Things She Saids story of tortured lesbian attraction. All The Things She Said is packed with intense, passionate soap imagery of passion thats opened my eyes but made her feel totally lost and like shes lost my mind and crossed the line. It would be inaccurate to imply that All The Things She Said travelled, without alteration, from Russian dance clubs to American airwaves. All The Things She Said was polished by producer Trevor Horn who in his work with, among others, Frankie Goes To Hollywood, The Buggles and Yes, practically defined a flashy, dramatic early 80s dance rock sound. Either Horn is trapped in his production style of 20 years ago or he realized it would work well on All The Things She Said. Regardless, his retro sound helped create a very fun final product.

  11. Dave Matthews Band-Grey Street    (down 4 positions)      buy it!
    Grey Street is the third chart hit from the Busted Stuff CD. With Matthews pleasant, empathetic vocal, Grey Street has the comfortable, familiar, well played feel of a lot of Dave Matthews Band music. Leroi Moores sax and Boyd Tinsleys violin give Grey Street the lurching, stop and start flow of a song like Ants Marching. Grey Street is about a woman trapped in her home by depression. Matthews shows his knowledge of dynamics, letting the music rise as the character is offered an opportunity to experience the world. But just as the woman chooses to stay inside, Matthews mostly chooses to stay within his familiar, comfortable musical form.

  12. Beck-Lost Cause    (unchanged)      buy it!
    Beck showed that hes not just a studio genius obsessed with beat and samples on Mutations, a record of serious country rock, but he still surprised people with the mellowness of his Sea Change CD. Theres a difference of opinion out there about whether the subdued Sea Change is a subtly beautiful tour de force or kind of a bore. Still, its hard for me to imagine much criticism of Lost Cause, Sea Changes strikingly delicate single. With acoustic guitar and quiet, dreamy synths and chimes, Beck simply creates a moving mood. Becks downbeat vocal communicates Lost Causes mix of sadness and frustration with a screwed up friend hes tired of fighting for but also finds hard to leave alone. Lost Cause also suggests a touch of hope in slightly optimistic chord changes. Lost Cause is a fragile, thoughtful masterpiece.

  13. Nelly-Air Force Ones    (unchanged)      buy it!
    Air Force Ones is the the third hit from the Nellyville CD. Taking four minutes to pay tribute to Nellys sneakers and endlessly repeating a not great record scratching riff, Nelly is proudly unambitious on Air Force Ones. Like much of Nellys music, Air Force Ones succeeds by staying relaxed and creating an irresistable groove. Nelly lets his buddies do most of the rapping. Most of them arent particularly impressive but Air Force Ones effectively keeps the raps coming one after another. As is often the case with Nellys music, what hes saying is less enjoyable than how he says it. Nelly and his posse test the patience of any listener whos not a Nike aficionado by detailing shoe sizes and favorite colors and making silly brags about only wearing a pair once then discarding it. I do like the cool way they pronounce pair as "par".

  14. All-American Rejects-Swing Swing    (up 1 position)      buy it!
    The All-American Rejects are a young band from Stillwater, Oklahoma who fit somewhere within the emo genre. They share a love of a big, basic, upbeat, enthusiastic sound with Jimmy Eat World and other emo practitioners. Swing Swings mix of crunching guitars and shaggy goofiness brings to mind emo predecessors and godfathers Weezer. The way it adds cheesy keyboards to glossy guitar rock recalls an earlier generation of bands like Cheap Trick and Split Enz. Swing Swing is a good time, easily shifting musical focus from a jagged guitar riff to the keyboards to a good bass line. Tyson Ritter is appealingly earnest as he intensely yells. On Swing Swing, Ritter admits being devastated by a breakup but puts on a brave face, promising to find someone new.

  15. Ja Rule featuring Ashanti-Mesmerize    (up 9 positions)      buy it!
    I am really sick of hearing Ja Rule's self satisfied rasp of a voice on his and other people's hits. And I don't like the way Ashanti fits into Jeff Atkins' and Irv Gotti's "man's world" as the ideal, submissive woman. But, damn it, Ja and Irv know how to make catchy, if very lightweight, hits. On Mesmerize, from his The Last Temptation CD, Ja's croak is as annoying as ever. But Ashanti's sweet voice is as appealing as ever and the perky little synth riff is ridiculously catchy. I'd imagine that disses from 50 Cent and others would encourage Ja to toughen up his sound, but I guess, with the success he's had, he's crying all the way to the bank. Mesmerize is another opportunity for Ja to objectify women as he dissects the parts of a women that he loves and uninterestingly says how he wants to "do it" with her. Annoyingly, Ashanti's character mostly plays along, swooning and asking him to "take me tonight and do what you do to me baby."

  16. Creed-Weathered    (down 12 positions)      buy it!
    The title track and fourth chart hit from the Weathered CD again shows Creeds gift for predictable, blandly catchy soaring arena rock. Creed frontman Scott Stapp is even more self pitying and self dramatizing than usual. Presumably referring to his critics, Stapp complains: slings and arrows are killing me inside. He feels alone and bemoans the fact that his love is met with indifference. Though sometimes I feel like giving up, Stapp finds solace in God and his instruction to take pride and leave it behind.

  17. The Donnas-Take It Off    new to music chart      buy it!
    Take It Off is from The Donnas' Spend The Night CD. The four women in the Donnas met in school in Palo Alto. They had a rock band called The Electrocutes. The Donnas started as a side project and a bit of a goof. Inspired by Joan Jett's early band The Runaways, they presented themselves as hard rocking jailbait. The Ramones are another obvious influence for women who all call themselves Donna and play fast, hard music with as few chords as possible. Because their songs are so basic, musically and lyrically, there's a limit to The Donnas' appeal. Still, they kick the asses of the boys on both of their flanks. They rock harder and are much more fun than the self pitying whiners predictably recycling 1992 grunge and they're more substantial and grown up than the silly kids scoring lightweight punky pop hits. Take It Off is refreshingly direct. Donna A(born Brett Anderson) tells a guy to "stop starin' at my D cup" and "just feel me up." The boys should take note of The Donnas' ability to be confident without putting down their object of desire. Donna R(Allison Robertson) gives Take It Off its catchiness and heft by laying down a steady flow of time tested AC/DC or ZZ Top style guitar riffs.

  18. The Wallflowers-How Good It Can Get    (up 5 positions)      buy it!
    I enjoyed When You're On Top, the first chart hit from the Red Letter Days CD, and its icy, synth dominated atmosphere and self loathing lyrics. How Good It Can Get is more standard Wallflowers fare. It's got a smooth, pleasant sound but it's nothing new. The lyrics are a nice message to a friend that things will get better. But How Good It Can Get is pretty insubstantial.

  19. JC Chasez-Blowin' Me Up (With Her Love)    (up 2 positions)      buy it!
    The fun, frenetic Blowin' Me Up With Her Love ensures that Justin Timberlake isn't the only N Sync-er finding solo success. While it doesn't indicate that Chasez will replace Timberlake as pop music's top hunk, I actually prefer Blowin' Me Up, with its sense of mischief, to Justin's carefully crafted hits. Blowin' Me Up is on the soundtrack to Drumline, a movie about competitions between school drumming groups that often infuse their synchronized performances with a hip hop sensibility. With its energy and big beat, Blowin' Me Up is a strong companion to the film. Deploying different riffs in different sections but maintaining a strong, stirring beat, Producer Dallas Austin(TLC, Boys II Men, Pink) creates an anything can happen feel and has more to do with Blowin' Me Up's success than its fairly innocuous singer. I don't love the way Blowin' Me Up starts with Chasez trying to sound cool but coming across a little lame. But the song improves as backup singers and beeping effects juice things up. Blowin' Me Up catches fire about two thirds of the way through with horns and drumline style percussion cueing Chasez to show a little more life as he proclaims "now it's on tonight." Blowin' Me Up is a fairly standard come on to a sexy girl in a club but the sleek sound emphasizes the lyric's sensuality.

  20. Counting Crows-Big Yellow Taxi    (unchanged)      buy it!
    Counting Crows' version of Joni Mitchell's Big Yellow Taxi was originally on the Two Weeks Notice soundtrack and wasn't on early pressings of the Hard Candy CD but it's now Counting Crows' biggest pop hit since Long December. There's something ridiculous about Counting Crows doing Mitchell's delightfully buoyant hit. Mitchell's vocal was light and playful and helped Mitchell's complaint about crass money grubbing ruining natural beauty go down easily. Adam Duritz can't help but sing in a mannered, self satisfied way. He's more relaxed than usual on Big Yellow Taxi but he's hardly as charming as Mitchell. The original's slightly subversive vivacity is replaced by smooth professionalism. Duritz shifts the focus from paving paradise to the lover's departure that led Mitchell to whimsically muse about how "you don't know what you've got 'til it's gone." The new version has a spare, pleasant sound and a crisp beat. Vanessa Carlton's brief ooh bop bop bops go a long way in softening the stiff feel Duritz creates. And you can't go too wrong with a song with that still has that great line about putting trees in a tree museum. But I really don't see the need for a smooth, string filled muzaky version of a classic.

  21. Jennifer Lopez-Jenny From The Block    (down 7 positions)      buy it!
    Jenny From The Block is the first single from Lopez This Is MeThen CD. Jenny From The Block is Lopez latest proclamation of realness but she apparently had no significant role in writing it. Jenny From The Block seems inspired by a marketing persons belief that Lopez can only remain a huge star if, despite her ambition, success and high profile romances, people think shes a regular gal. In that regard, Jenny From The Block strikes me as unsuccessful. Placed along side repeated brags about the rocks that I got, Lopez claim that I know where I came from is meaningless. More importantly, Jenny From The Block, has the light, relaxed sound thats given her an impressive string of hits. Lopez thin voice is again wrapped by backing vocals and studio effects but her nearly spoken vocal also projects a straight forward confidence the audience can connect with. With an inobtrusive, steady beat and perky flute effect, the music isnt novel but it is smooth and likable. A brief, big beat break giving props to Lopez former South Bronx home adds a touch of flavor and seamlessly fits Jenny From The Blocks catchy dance pop. Jenny From The Block has an assembly line quality that undermines its statement of genuineness and keeps it from being particularly interesting but it also guarantees Lopez another hit.

  22. Susan Tedeschi-Alone    (unchanged)      buy it!
    Alone is on the Boston bred singer/guitarists second record: Wait For Me. On Alone, Susan Tedeschi sounds a lot like Bonnie Raitt. I dont know if Tedeschi has Raitts vocal talent but she has her relaxed confidence. Like Raitt, Tedeschi has a love of the blues that helps her seem comfortable rather than showy in trying to emulate the style of her heroes. Alone is quite a bit like Raitts 2002 single I Cant Help You Now. Unlike in that song, where Raitt told a guy who dumped her then asked for a second chance that he was too late, Tedeschi admits her loneliness, takes the blame for their problems and asks him to come back. The lyrics make Tedeschi seem like a doormat but her self assured vocal keeps her sounding strong. Alone was written by Tommy Sims, who cowrote Eric Claptons Change The World. Alone resembles Change The World. Alone isnt particularly original and theres a sense that, with its smooth sound, tasteful horns and minimal keyboards, its designed to be an easy listening hit like Change The World. But while Alone isnt exciting, Tedeschis singing and unshowy guitar playing keep things cool and likable.

  23. John Mayer-Your Body Is A Wonderland    (down 4 positions)      buy it!
    Your Body Is a Wonderland is the second chart hit from the Atlanta based singer/songwriter's Room For Squares CD. Like No Such Thing, Your Body Is a Wonderland is pleasant and almost proudly inconsequential. Unlike No Such Thing, where Mayer tried so hard for whimsical cheekiness, Your Body Is a Wonderland mostly keeps things nicely understated. His voice, in a tone not much more forceful than a whisper, effectively communicates the song's sly confidence. His guitar playing is also unassuming but pretty cool. Its only flourish is a short Steely Dan style riff towards the end. A skinny young white guy can't help but seem a little leering singing a song about pleasuring a lady but his admiration of a woman's looks is generally appealing. A bit too much bravado accompanies Mayer's promise to take a while making love and discovering a woman's body but he generally avoids the objectification that often accompanies songs complimenting the female shape.

  24. Paul Simon-Father and Daughter    new to music chart      buy it!
    Paul Simon's projects of the last 10 years(The Capeman and You're The One) got relatively little mainstream attention but he's made our Top 50 for the first time and gotten an Oscar nomination for his song from the Wild Thornberrys Movie soundtrack. I'm a little creeped out by the fact that 60 year old Simon has a 7 year old daughter(with wife Edie Brickell) but I appreciate that she's inspired one of Simon's best songs in years. Simon has a history of overthinking things but on Father And Daughter he smartly keeps things simple. Though he Simon uses a full band, Father And Daughter feels like a low budget homemade labor of love. With a basic, chugging drum machine beat(credited to longtime Simon sideman Steve Gadd), Father And Daughter has an uncomplicated arrangement that lets Simon's sweet message connect. Father And Daughter's one adornment is a beautiful, shimmering guitar. Despite the presence of Vincent Ngiuni, Simon's guitar player since Rhythm Of The Saints, Simon apparently played the exotic sounding riff. As the father of the cutest girl in the world, I'm particularly susceptible to Father And Daughter's charms but Simon's heartfelt message of love should touch even the coldest heart. Simon's promises that he'll protect his daughter seem both personal and universal. And the chorus, featuring harmonies by Simon's 10 year old son Adrian, with its "there could never be a father who loved his daughter more than I love you" hook perfectly distills the song's direct, unembarrassed sentiment.

  25. Transplants-Diamonds and Guns    (unchanged)      buy it!
    Transplants are led by Rancid singer/guitar player Tim Armstrong and his pal Rob "SR" Aston and features Blink-182's Travis Barker on drums. Transplants self titled debut is anarchic fun. Diamonds and Guns has turned out to be a timely tribute to The Clash's Joe Strummer, who died late last year. Rancid's music clearly showed the influence of The Clash. Diamond And Guns, with its unpolished sound, jagged blasts of guitar and Armstrong's rough, slurred vocal evokes The Clash's looser music and seems like another sign of love for the band. The way Armstrong's singing alternates with Aston's cocky rap brings to mind the partnership of rocker Strummer and dance music fan Mick Jones. Both liked to bring elements of black music into their punk. With its positive energy and rollicking western flavored piano sample, Diamonds and Guns has a fun, goofy feel. Diamonds and Guns has a silly lyric that feels like a bad version of a Tarantino movie, with brags about "taking more shots than Karl Malone", showy evocations of drug dealers and philosophizing about the morality of cops, criminals and businessmen.

Songs 1-25


Home | Movies | Music | Video Games | Songs
Amazon.com | AllPosters.com | Half.com | Columbia House | Netflix

Copyright 1998-2002 All-Reviews.com
Privacy Policy |  Advertising Info |  Contact Us