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All-Reviews.com Top 50 Songs*:
for the 1st week of May, 2001

*based on airplay at alternative, pop and rock radio stations a cross the nation (reviews by LarryG)

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(songs 1-25)

  1. Shaggy-Angel    (down 5 positions)      buy it!
    A song with Shaggy thanking a girl, to the tune of Angel Of The Morning, for giving her love, over a riff copped for Steve Miller's The Joker, is not promising. However, as on the silly, very un-politically correct It Wasn't Me, Shaggy's charm overcomes a lot. Shaggy's cocky even when he's supposed to be humble("I called and you heeded, mission completed") and it's hard to believe him suddenly realizing his girl should be treated like a queen but his confident, deep Jamaican rap and easy charm("she was there through my incarceration, I wanna show the nation my appreciation") explains why women would want to believe him. As on It Wasn't Me, Angel wisely pairs Shaggy with a smoother singer though Rayvon's Angel Of The Morning chorus is sickly sweet. Angel, from the Hotshot CD, has a clear sound with a strong, steady beat and the Joker riff works pretty well.

  2. Oleander-Are You There?    (down 4 positions)      buy it!
    Are You There?, from the California band's Unwind CD, is fairly standard radio rock. It starts with very, big angry guitars then settles into familiar power chords augmented by a weird electronic effect. Thomas Flowers isn't a tough rock and roll singer like some of his peers. His voice is kind of thin. The lyric isn't as obnoxious as in some contemporary rock. Flowers is vulnerable, singing about needing support "when I feel too far away from where I want to be" and wondering if there's anybody there "who doesn't just pretend to care ."

  3. Cold-No One    (unchanged)      buy it!
    On No One, from Cold's 13 Ways to Bleed On Stage CD, Scooter Ward is another serious singer with Vedder-like intensity. At least, with a fluid sound, loose drumming and bass playing and a subtle guitar, Cold's Pearl Jam/STP imitation has pretty good music. Ward sings about being left alone "with no one sent to get me", feeling "like I'm being erased." He apparently isn't dealing well with a breakup and is "so sick of this terrible instinct."

  4. Dave Matthews Band-I Did It    (down 23 positions)      buy it!
    With Matthews singing about mixing up "a magic mushroom cloud of care", I Did It, from the Everyday CD, has a bit of the trippy feel of Don't Drink The Water from Before These Crowded Streets. Even more, it has the mischievous feel of What Would You Say with the normally mellow Matthews having a good time, urging those in love, "don't turn it down, turn it loud, let it build" and "spread the love you got." Matthews' debauched delivery is a little too cute but the mood is generally fun. The solid band keep things moving forward with steady, unshowy backing.

  5. Nelly-Ride Wit Me    (up 3 positions)      buy it!
    Nelly's second top 50 hit has his trademark easily flowing sound and fast, relaxed rap. Ride Wit Me is even smoother than Country Grammar's title track and has a good, likable feel, except for the dopey yelled "must be the money" interruptions. Ride Wit Me has another cocky, kind of silly rap celebrating getting high, girls glad to satisfy and being able to mock people who said he was a failure, with his dough and Benz.

  6. A Perfect Circle-The Hollow    (down 5 positions)      buy it!
    Tool's new CD is coming out soon but Maynard James Keenan's side project keeps getting radio play. After moving even farther away from the Tool signature sound with the folky Three Libras, Mer De Noms' third chart hit sounds like its first, Judith. The guitars aren't quite as big and the atmosphere isn't as angry and oppressive as on a typical Tool song but The Hollow is still serious with a sweeping sound and Keenan's dramatic vocals. Billy Howerdel creates a good, metallic guitar sound. Keenan sings about someone with a constant need to satisfy his libido. The Hollow is fairly interesting but not too different from Keenan's usual tales of obsession. It lacks his usual climactic payoff and doesn't really go anywhere.

  7. Nelly Furtado-I'm Like A Bird    (unchanged)      buy it!
    I'm Like A Bird, from the Canadian singer's Whoa Nelly! CD, sounds like a pop/easy listening hit but it also has a nice, trippy edge. Especially on the verses, the sound is cool and a little jazzy. Furtado's voice is loose and playful. The beat is chunky but the feel is appropriately light. The chorus, cushioned by backing vocals and synths, is more standard pop but Furtado keeps things buoyant and appealing. She sings that, even though she's in love, she's eventually going to have to move on.

  8. Dave Matthews Band-The Space Between    (up 7 positions)      buy it!
    More than the glib I Did It, The Space Between captures the mood of the Everyday CD, which is at its best on easy, textured ballads that carry on the tradition of the band's best songs like Crush and Crash Into Me. The Space Between has Crash Into Me's delicate, unhurried feel. Matthews repeats a graceful guitar line and his likably relaxed singing creates a hopeful mood. The Space Between is one of Everyday's many songs about Matthews trying to save a troubled relationship. He warns a woman "you cannot quit me so quickly" and reminds her "the space between the tears we cry is the laughter that keeps us coming back for more."

  9. Godsmack-Greed    (unchanged)      buy it!
    The second single from the Awake CD is similar to the title track but even harsher and less appealing. Singer Sully Erna is a devout Wiccan and Greed has a bit of a spiritual sound but the song is just nasty, not exotic. The guitars thump and thud as Erna howls, "hey little bitch, be glad you finally walked away or you may have not lived another day." Amid the despicable misogyny we're supposed to empathize with Erna for feeling smothered and in need of help.

  10. Lenny Kravitz-Again    (down 5 positions)      buy it!
    It's galling to me that someone's decided that Lenny Kravitz's uninspired Hendrix and Sly Stone retreads deserve a greatest hits CD. Still, this new song isn't as annoying as most of his work. It has a nice groove with a good bass and drums high in the mix. Kravitz' vocals are typically complacent and his lyrics are pretty terrible as he sings about hearing a cry in his soul and about never having "a yearning quite like this before" and wondering if he'll ever see his "sacred gift of heaven" again. Kravitz also pulls off an awful, cliched rock guitar solo in the middle. However, while Again is pretty insubstantial, it has a appealingly easy mood.

  11. Christina Aguilera, Lil' Kim, Mya & Pink-Lady Marmalade    (up 9 positions)      buy it!
    As it did 25 years ago, Lady Marmalade brings to my mind a junior high school kid showing off naughty words she's learned to her friends in French class. The new version, from the soundtrack of the movie Moulin Rouge, closely tracks Labelle's original and is fairly pointless. It seems like the main purpose of the remake is to provide an excuse for its young singers to play dress up in a sexy video. The funk rock backing is fairly similar to the original's. Only Lil' Kim's good, tight rap adds something new. Her tough, bottom line attitude is far from the 70s record's romanticized tale of a prostitute who helps a guy have a brief, transcendental escape from "his gray flannel life." The production moves efficiently, giving each of the confident young women a chance in the spotlight. Mya is the least distinctive. Pink isn't the greatest singer, but she's self assured and full of personality. Christina Aguilera is typically showy and over the top.

  12. U2-Walk On    (down 18 positions)      buy it!
    Walk On, the second chart hit from All That You Can't Leave Behind, shows how U2 have returned to the sincerity and idealism of their 80's work but express it in a more subtle, mature way. Walk On is a tribute to Aung San Suu Kyi, who won the Nobel Peace Prize for her brave struggle against the repressive Burmese government. Bono's admiration is clear as he sings, "you could have flown away, a singing bird in an open cage who will only fly for freedom." But Walk On avoids the stridency of the band's early political songs. Bono's vocal is appealingly restrained. The music, with The Edge's glistening guitar line, has a quiet beauty as well as a solid Larry Mullen beat.

  13. S Club 7-Never Had A Dream Come True    (unchanged)      buy it!
    The marijuana arrest of some of the S Club kids is the most interesting thing about this boring, squeaky clean British addition to the Radio Disney crowd. The lyrics, about having trouble moving on after the end of a once prefect relationship, aren't awful, just familiar. Jo O'Meara tries to add a little soul and her singing isn't as bad as Britney's on the similar From The Bottom Of My Broken Heart. But the music is bland even for the genre. The violins are ladled on and the dramatic drums and keyboards should be backing a bad easy listening lounge act. Never Had A Dream Come True was first an English single benefitting a children's charity. It was later added to S Club 7's 7 CD.

  14. Joe-Stutter    (up 2 positions)      buy it!
    MTV's now playing a remix of Stutter. The second pop hit from the My Name Is Joe CD needed a little more edge. Stutter is inoffensively sleek with bland verses. The chorus is better but repetitive, telling us over and over that he can tell she's lying because when she's replying, she stutters. Joe has a decent, smooth voice but Stutter only really comes alive on Mystikal's angry, attitude filled rap.

  15. Spacehog-I Want To Live    (down 3 positions)      buy it!
    Since having an alternative hit with the fun, spacy In The Meantime from 1995's Resident Alien CD, Spacehog's main claim to fame has been that Royston Langdon is Liv Tyler's boyfriend. I Want To Live is a good return to form. I Want To Live is from the Hogyssey CD, which was produced by Paul Ebersold, who did Three Doors Down's The Better Life. Spacehog still are doing the 70s glam thing. On I Want To Live, Langdon channels David Bowie and Bryan Ferry, sounding both ultraserious and self mocking. The music is solid and fairly ungimmicky with a steady beat, big, solid guitars and a positive feel. I Want To Live is apparently about a young woman feeling "faceless and lonely" but trying to escape her problems.

  16. Blues Traveler-Girl Inside My Head    new to music chart      buy it!
    John Popper put out a solo record and bass player Bob Sheehan died but Blues Traveler has stayed together. Bridge is Blues Traveler's first CD in four years. Girl Inside My Head was written by new bassist Tad Kinchla, brother of guitar player Chad, and Popper. Girl Inside My Head is about a guy making himself crazy, thinking about a woman he lusts after. He's not sure whether he should let her know what he's really like or play the "jungle cat" and worries that she might actually be nice to him.

  17. New Found Glory-Hit Or Miss    (unchanged)      buy it!
    Fast, three chord power pop isn't as hot as it was at its 80's peak but it's still around and still fun if done with good energy and not too much seriousness. New Found Glory resemble Green Day, the model for the recent breed of post punksters, and Blink 182 as they have a good, dopey time with a likable, very simple song. Hit or Miss, from the band's self titled CD, is a bittersweet reminisence of a recently ended relationship. Jordan Pundik fondly remembers "the time we realized Thriller was our favorite song" but also sings that for her it was "simple to lie."

  18. The Wallflowers-Letters From The Wasteland    (down 8 positions)      buy it!
    Breach, the Wallflowers third CD, is a tastefully made and quite boring set of songs. Letters From The Wasteland is another restrained adult rocker that sounds like Sleepwalker or One Headlight but has a gloomier mood. It has decent energy with good guitar and drums but doesn't really go anywhere. Letters From The Wasteland employs dark imagery to describe getting dumped. In a typically uninflected vocal, Jakob Dylan sings, "I wake up sick as you abandon me into these fields of rank and file" and of being "in this smoke filled waiting room with incarcerated love sick fools."

  19. Linkin Park-One Step Closer    (down 1 position)      buy it!
    One Step Closer is from the Hybrid Theory CD. Like Korn, Limp Bizkit and Papa Roach, Linkin Park are an angry band who mix a hip hop sensibility to their heavy metal but they're even less appealing than those bands. The sound is nasty with yelled vocals and harsh guitar chords. One Step Closer is about another young white guy so troubled that he "can't take this anymore." It's not specified, but the lyrics probably refer to a woman: "everything you say to me, takes me one step closer to the edge and I'm about to break."

  20. Weezer-Hash Pipe    new to music chart      buy it!
    It's been nearly five years since Weezer's last CD, the good but commercially disappointing Pinkerton. Hash Pipe, from Weezer's new Green Album, shows the band still knows how to mix catchy, pop hooks with big rock guitars. Rivers Cuomo's vocals are still vulnerable. He shifts in and out of a falsetto as he sings goofy lyrics like "these players come to get me cause they like my behind" and repeats "come on and kick me."

  21. Samantha Mumba-Baby Come Over    (unchanged)      buy it!
    Like Samantha Mumba's first hit, the title track from her Gotta Tell You CD, Baby Come Over is a simple but appealing song that alternates between a rough verse and a catchy, sunny chorus. Baby Come Over is familiar dance pop but it has a breezy charm. Ringing synths and beats create an upbeat feel on the chorus and the verses are sleek and kind of sexy. The lightweight lyrics match the music. Having checked "your records", Mumba succumbs to a guy's request "to be more than just your friend."

  22. Shawn Colvin-Whole New You    (unchanged)      buy it!
    The title track for the Whole New You CD isn't as striking as Colvin's fluke smash hit Sunny Came Home but it's another nice addition to her body of smart, tuneful adult pop rock singles like Steady On and Round Of Blues. Colvin gives a friend a pep talk, advising "shake the loneliness and shine the light." Whole New You has a good, easy feel with understated but effective guitar and keyboards. The chorus is likable and it's probably not Colvin's fault that it reminds me of Starship's 80's relic Nothing Gonna Stop Us Now.

  23. K-Ci & Jojo-Crazy    (down 9 positions)      buy it!
    Recently, smooth African American love men have been seriously outnumbered at top of the pop charts by R&B divas and white teen pop singers. K-Ci & Jojo Hailey, brothers who were formerly members of Jodeci, return to the charts with a soul ballad from their X CD. They're one of three groups that entered the top 50 within a week in January with a very mellow song about a guy who's nothing without his woman and is willing to do anything for her. K-Ci & Jojo seem like better singers than 98 Degrees and BBMak but their delivery is ridiculously overemotive. The pathetic lyrics apologize for being a fool, beg for her to come back and repeat how obsessed he is with her. Crazy has easy listening backing with a restrained beat and tasteful piano though the chorus tries to spice things up by distorting the voices with a silly vocoder effect. Crazy is also on the Save The Last Dance soundtrack. It's had incessant play on MTV which, not coincidentally, produced Save The Last Dance.

  24. Buckcherry-Ridin'    (down 1 position)      buy it!
    Ridin' resembles like Lit Up, the hit from Buckcherry's debut. Joshua Todd sounds like a number of cocky rock and roll screamers but his screech is more annoying than that of Jagger, Plant or Steven Tyler. Black Crowes' Chris Robinson is subtle in comparison. The best analogy to this very simple hard rocker, about having a good time with a girl who "loves to go ridin' cause she's sick in the head", might be with an AC/DC song like Highway To Hell. I see the appeal of the basic, rumbing guitars but still find the song stupid and irritating.

  25. Old 97's-King Of All The World    (unchanged)      buy it!
    Old 97's are usually modest twangers, respectful to their country rock roots and not too showy. King Of All The World, from the Satelite Blues CD, finds the band getting off on the thrill of power chords. Rhett Miller is appealingly exuberant, paying tribute from the road to a woman "who turned the power on" when he was "in a real bad way" and hoping "to go back to the world when I was the king of all of the world." Guitar players Ken Bethea and Miller give the song a good, stomping energy.

Songs 1-25


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