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All-Reviews.com Top 50 Songs*:
for the 1st week of November, 2000

*based on airplay at alternative, pop and rock radio stations a cross the nation (reviews by LarryG)

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(songs 1-25)

  1. Papa Roach-Broken Home    (unchanged)      buy it!
    Together with the Last Resort video, which depicts their fans as sad and alienated, Broken Home establishes Papa Roach as the band most likely to relate to today's troubled teen. Broken Home is even edgier than Last Resort. Broken Home doesn't have that song's inviting beat and hip hop momentum. It's more about harsh guitar. Coby Dick screams most of the words, only segueing into a Last Resort style rap at the end. Broken Home is musically and lyrically simplistic but at least it's not the macho posturing of so much radio friendly rock about tormented young males. Dick's pain sounds real as he sings about being caught between two battling parents, blaming himself and crying because he has no one to confide in.

  2. Blink 182-Man Overboard    (unchanged)      buy it!
    Enema Of The State's fun, fast pop is still selling but Blink 182 is already back with a new CD, The Mark, Travis and Tom Show. Man Overboard sounds a lot like Enema Of The State's Dumpweed, as well as kind of like a fast version of Peter Schilling Major Tom(Coming Home). Once again, Blink 182's music is pretty light but energizing, unpretentious and solidly constructed. Man Overboard is about being sad that things can't be worked out, but deciding that a friend has screwed up too many times.

  3. Pink-Most Girls    (unchanged)      buy it!
    Most Girls isn't quite as interesting as There You Go, Pink's feisty take on the TLC sound. Most Girls, from her Can't Take Me Home CD, is more routine, but it has an effective groove. The lyrics don't totally ring true but Pink continues to show personality. She sings that, unlike other "flygirls", she's more interested in a real love than a "g" with the "mean green" who gives his girl diamond rings.

  4. Red Hot Chili Peppers-Californication    (down 6 positions)      buy it!
    Do we really need another serious, sensitive single from the Chili Peppers? Scar Tissue was a very good song but I could do without their other recent displays of maturity. Californication is the fourth chart hit from the CD of the same name. Anthony Kiedis intones the lyrics so seriously that you'd think he was the first person to notice the shallowness of Hollywood life. His indictment is fairly predictable in pointing out that people are seduced and then exploited in their search for glamour and(taking a shot at Courtney Love) that plastic surgery and other tools create an arifticial world. The music is a little bland but John Frusciante has a good, sad guitar riff.

  5. Madonna-Music    (down 1 position)      buy it!
    The title track from Madonna's new CD shows that an incredibly stupid song can be a hit if it's got a good beat and it's sung by a star. The broad, silly 70's tinged video for Music makes it clear that Madonna knows the song is dopey. That knowing irony, even combined with the occasional clever line like "music makes the bourgeoisie want to rebel", still doesn't stop Music from being a little annoying. You're supposed to be reminded of disco's mindless fun by the simple words: "hey mister d.j., put a record on, I want to dance with my baby." French studio wiz Mirwais Ahmadzai does a good job of laying down the beats and adding the house effects.

  6. N Sync-This I Promise You    (up 1 position)      buy it!
    This I Promise You is the third hit from the No Strings Attached CD. It was written by Richard Marx, who had a brief period of pop rock stardom in the late 80's. This I Promse You is a fairly routine, sappy ballad. They sing about being her strength and giving her hope. They promise that "never will you hurt anymore" and to hold her "until the day my life is through" but even their preteen fans probably know that such promises, said by teens, aren't necessarily meant to be taken literally.

  7. Incubus-Stellar    (down 2 positions)      buy it!
    Like Pardon Me, Incubus' hit from the Make Yourself CD, Stellar is hard rock with a bit of an unusual edge. Stellar has jazzy, psychedelic verses that give way to harder, guitar driven choruses. Brandon Boyd sings about being amazed by his lover asking, how do you do it, and equating having sex with her with the sensation of being in outer space.

  8. Soul Decision-Faded    (unchanged)      buy it!
    Faded is from the Canadian trio's Nobody Does It Better CD. They're being promoted to the preteens as the latest hunky boy band but Faded isn't that bad. It sounds like a George Michael dance song with a decent, synthetic beat. They try a little too hard to seem black and cool but they basically have the sound down. The parents might not be too happy about the boys trying to convince a girl "it's time we went a bit further."

  9. Orgy-Fiction(She Dreams In Digital)    (unchanged)      buy it!
    Orgy's hard rock/industrial bludgeoning of New Order's Blue Monday may have been my least favorite single of 1999. Fiction, from their new Vapor Transmission CD, isn't as offensive but it's nearly as stupid. The music and lyrics are both cheesy sci-fi. Over hokey electronics, Jay Gordon sings about a robot girl he created who's gone haywire. "Now that control is gone", "my finger's on the kill switch." Whatever. Orgy take the big guitar, big atmosphere sound of bands like Korn and do it in the least interesting way possible.

  10. Samantha Mumba-Gotta Tell You    (up 1 position)      buy it!
    Mumba is the latest young female getting the big record company push. Gotta Tell You is the title track from Mumba's CD. Gotta Tell You is fairly routine dance pop. The lyrics are O.K. Mumba sings about wanting her guy to get more involved in their relationship. She doesn't want to love him if he doesn't love her. On the verses, Mumba's voice is hard and unappealing but at least somewhat distinctive. On the choruses, thanks to backing vocals and heavy, generic production, the song turns into catchy, perky Britney-style pop. Mumba's personal story of a black Irish teen who became a pop star is undoubtedly more interesting than the song.

  11. Backstreet Boys-Shape Of My Heart    (up 1 position)      buy it!
    Shape Of My Heart is from the Boys' new Black and Blue CD. Shape Of My Heart is the kind of song they do best, a well made ballad like I Want It That Way. The singing and harmonies aren't bad. Shape Of My Heart is fairly innocuous but the preteens won't mind. On Shape Of My Heart, they ask her for forgiveness, playing into the fan fantasy by asking her to "save me from the man I've become."

  12. Limp Bizkit-Rollin'    (up 5 positions)      buy it!
    Of the two singles from Chocolate Starfish and the Hot Dog Flavored Water, My Generation got most of the early play. Modern rock stations are now focusing more on Rollin'. Both songs are hard edged but Rollin' is even more urgent and edgy. The band's mix of hard rock guitar and hip hop beats has energy and undeniable power but Rollin' is so harsh that it's hard to like. As usual, Fred Durst's rap is the weak link. His squealed rhymes are typically paranoid, singing about people who "wanna mess with Limp Bizkit." We hope that he's gently mocking rap cliches when he urges us to "put them hands in the air." The dopey chorus tells us over and over again to keep rollin', rollin, rollin'.

  13. Ricky Martin-She Bangs    (up 1 position)      buy it!
    She Bangs is from the new Sound Loaded CD. Like on Livin' La Vida Loca, horns and percussion create a high spirited party mood though Martin's vocals and the song in general are more leisurely paced than on Martin's huge hit. She Bangs is somewhat silly but fun Latin pop. Martin sings about an imposing lady who looks like a flower but stings like a bee. She's playing with him. After she "lit a fuse" she blew him off.

  14. Christina Aguilera-Come On Over (All I Want Is You)    (down 4 positions)      buy it!
    After showing off her pipes on I Turn To You, the ballad by songwriter to the stars Diane Warren, Aguilera is back to light dance music on the fourth single from her debut CD. Come On Over is a little less gimmicky than her previous hits. The strength and maturity of Aguilera's big soulful voice show that comparisons to Mariah and Whitney are more appropriate than those to Britney. Come On Over is smooth and pleasantly perky. She again is the very available fantasy girl she first played on Genie In a Bottle, telling a guy that she "never felt this way before" and "you've got all I'm looking for."

  15. Disturbed-Stupify    (unchanged)      buy it!
    Stupify is from Disturbed's Sickness CD. Stupify starts with a promise of a mix of hard rock and rap like Rage Against The Machine and Limp Bizkit. It soon degenerates into an unpleasant rage from singer David Draiman, who calls himself a sick animal. The harsh, menacing mood is apparently the appeal of Stupify but the sound certainly doesn't have the full, overwhelming power of bands like Nine Inch Nails. The hard edged guitars and electronics seem a little thin at times. The first verse is an excuse for Draiman to repeatedly spit out a profanity that Gordon Gano of Violent Femmes used more interestingly on Add It Up, telling us he just wanted to have sex once. Because of Draiman's nasty delivery, I don't really care that he lives his life in a daze, his sense of reality slipping and that he's breaking down.

  16. Mya-Case Of The Ex    (up 5 positions)      buy it!
    Case Of The Ex is from the Fear Of Flying CD. Case Of The Ex sounds a little like Aaliyah's Try Again. It's got a sleek, stark sound with a good shifting beat. Mya's voice seems O.K. and it's adroitly covered for most of the song by good background vocals. Case Of The Ex is a fairly nasty tale. A guy's current girlfriend demands to know how he's gonna act when his ex wants him back. She figures the ex has heard he bought her a "brand new Benz" and wants a piece of the action. The girlfriend's not subtle. She reminds him the ex "turned trick" when they broke up and says she's seen the ex's picture and "she ain't even all that."

  17. Mark Knopfler-What It Is    (down 4 positions)      buy it!
    Since the huge success of Dire Straits' 1985 Brothers In Arms record, Mark Knopfler has kept a fairly low profile, working on soundtracks and not trying to be too commercial in his subsequent Dire Straits and solo work. What It Is is from Knopfler's new Sailing To Philadelphia CD. What It Is is reminiscent of Knopfler's great work before Money For Nothing. It's a distinctive, textured rocker like Making Movies' Tunnel Of Love. Knopfler's guitar playing is seemingly effortless as he unshowily sprinkles interesting riffs. His assuming voice easily twists around the shifting meters. What It Is is nicely detailed with vignettes about a small Scottish town and lots of observations including the fact "everybody's looking for somebody's arms to fall into."

  18. Destiny's Child-Jumpin' Jumpin'    (unchanged)      buy it!
    Destiny's Child's Writing's On The Wall CD has produced a ton of R & B hits. Jumpin' Jumpin' is their second big pop hit after Say My Name. I found Say My Name repetitive and draggy. Jumpin' Jumpin' is considerably more lively. It has a nonstop, frantic energy with a good, crisp beat and staccato keyboard notes underlining the vocals. Jumpin' Jumpin' is hardly weighty but it has a positive feel to go with its lyrics inviting men and women to leave their partners for a night and go to a happening club.

  19. Nelly-Country Grammar    (down 3 positions)      buy it!
    Country Grammar is the title track of Nelly's hugely successful CD. On Country Grammar, Nelly celebrates his St. Louis hometown and the joys of riding down the street in his Range Rover and lighting up blunts. He glorifies the thug life, rapping that his "street sweeper" is cocked and ready to let go and paying tribute to "the niggas left in the slamma." I'm not happy that kids, black and white, are eating Nelly's rap up. But for many, the thrilll of gangsta rap is in vicariously experiencing an exciting street life from the comfort of your home. And the main reason for Country Grammar's success is probably the relaxed singsong catchiness of the rap, based on a children's chant, and the easy groove, good, clean beat and simple backing.

  20. David Gray-Babylon    (up 2 positions)      buy it!
    Babylon, from Gray's White Ladder CD, is a very nice introduction for the Welsh singer/songwriter to a larger audience. Gray presents an appealing humble and unassuming persona. He owns up to his mistakes in his relationship, admitting he's "been a fool to ever open up my heart to all that jealousy, that bitterness, that ridicule." He asks for another chance, singing "the love that I was giving you was never in doubt" and asking his partner to "let go your heart, let go your head and feel it now." The music is good and minimal with a little acoustic guitar, piano and a steady beat.

  21. Debelah Morgan-Dance With Me    new to music chart      buy it!
    The title track from the Dance With Me CD is a bit bizarre but it probably works O.K. on the dance floor. With its insistent violin, Dance With Me is a little like Marc Anthony's I Need To Know but the recent hit it most resembles is Sonique's It Feels So Good. Both are throwbacks to the dopey hits of the late 70's. Dance With Me is eerily like a hit from the peak of the disco craze in its use of a gimmick, an arrangement based on the tango Hernando's Hideaway from the Broadway musical The Pajama Game, and its very simple lyrics extolling the benefits of dancing. Morgan's singing is pretty good but the words are moronic with every cliche you could imagine including, "the night is young and so are we", "when we hit the floor you'll be asking for more" and "I feel the music inside."

  22. The Deftones-Change (In the House of Flies)    (down 2 positions)      buy it!
    The Deftones like guitar noise as much as their hard rock contemporaries but they do seem to have a little more imagination. Change, from the White Pony CD, has big guitars but the dense sound also has an interesting trippy feel that matches the lyrics about watching someone turn into a fly.

  23. Sting-After The Rain Has Fallen    (unchanged)      buy it!
    After his 1996 Mercury Falling CD tanked, there was reason to believe that Sting's pop gifts had faded and been replaced by a boring maturity. Then the atmospheric, textured Desert Rose, from his Brand New Day CD, gave him his first hit in seven years. After The Rain Has Fallen gives further proof that his skills are intact. After The Rain Has Fallen has a good, state of the art dance beat. The very catchy chorus is reminiscent of his If I Ever Lose My Faith In You. The story of a princess and a palace thief is about love being more important than property.

  24. Shawn Mullins-Everywhere I Go    new to music chart      buy it!
    You could love or hate Lullaby, Mullins' big hit from his Soul's Core CD, but with its spoken verses and evocative, if obvious, lyrics about a woman screwed up by growing up in a weird Hollywood world, it got your attention. Everywhere I Go, from the Beneath The Velvet Sun CD, isn't going to approach Lullaby's success because it's barely noticable. Everywhere I Go is pleasant light rock influenced by the easy California sound of artists like The Eagles. The production is sleek but the result is innocuous. Mullins' voice doesn't have much personality. The mystically tinged lyrics are pretty nice. Mullins sings about the image of his lover guiding him and grounding him when he's on the road.

  25. Everclear-AM Radio    (unchanged)      buy it!
    Art Alexakis has sung about growing in a black neighborhod but his music has always been very white. For his most danceable single so far, rather than looking to contemporary hip hop, Alexakis borrows from Jean Knight's Mr. Big Stuff, a song from the early 70's when white and black music was more frequently heard on the same station. The lyrics claim that the time before VCRs, DVD and the internet was better. Alexakis' nostalgia is kind of sweet but it's also consistent with Everclear's general unwillingness to significantly alter their sound. That's not such a bad thing since their formula is likable. The band creates a good groove, with Greg Eklund's good drumming and catchy oscillating keyboards on the chorus. Still, on the Learning How To Smile CD, everything sounds like an Everclear song and that can be too much, especially on their cover of Brown Eyed Girl.

Songs 1-25


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