Most Girls isn't quite as interesting as There You Go, Pink's feisty take on the TLC sound. Most Girls, from her Can't Take Me Home CD, is more routine, but it has an effective groove. The lyrics don't totally ring true but Pink continues to show personality. She sings that, unlike other "flygirls", she's more interested in a real love than a "g" with the "mean green" who gives his girl diamond rings.
Blink 182-Man Overboard(unchanged)
Enema Of The State's fun, fast pop is still selling but Blink 182 is already back with a new CD, The Mark, Travis and Tom Show. Man Overboard sounds a lot like Enema Of The State's Dumpweed, as well as kind of like a fast version of Peter Schilling Major Tom(Coming Home). Once again, Blink 182's music is pretty light but energizing, unpretentious and solidly constructed. Man Overboard is about being sad that things can't be worked out, but deciding that a friend has screwed up too many times.
Nickelback-Breathe(up 2 positions)
Breathe, from the State CD, is the Vancouver band's second top 50 song. Breathe follows Leader Of Men with another overdone, self important rock song. Breather is about a relationship on the brink of breakup. Singer Chad Kroeger is very serious and intense, asking somebody to help him breathe.
Mya-Case Of The Ex(up 3 positions)
Case Of The Ex is from the Fear Of Flying CD. Case Of The Ex sounds a little like Aaliyah's Try Again. It's got a sleek, stark sound with a good shifting beat. Mya's voice seems O.K. and it's adroitly covered for most of the song by good background vocals. Case Of The Ex is a fairly nasty tale. A guy's current girlfriend demands to know how he's gonna act when his ex wants him back. She figures the ex has heard he bought her a "brand new Benz" and wants a piece of the action. The girlfriend's not subtle. She reminds him the ex "turned trick" when they broke up and says she's seen the ex's picture and "she ain't even all that."
Limp Bizkit-Rollin'(up 1 position)
Of the two singles from Chocolate Starfish and the Hot Dog Flavored Water, My Generation got most of the early play. Modern rock stations are now focusing more on Rollin'. Both songs are hard edged but Rollin' is even more urgent and edgy. The band's mix of hard rock guitar and hip hop beats has energy and undeniable power but Rollin' is so harsh that it's hard to like. As usual, Fred Durst's rap is the weak link. His squealed rhymes are typically paranoid, singing about people who "wanna mess with Limp Bizkit." We hope that he's gently mocking rap cliches when he urges us to "put them hands in the air." The dopey chorus tells us over and over again to keep rollin', rollin, rollin'.
N Sync-This I Promise You(down 3 positions)
This I Promise You is the third hit from the No Strings Attached CD. It was written by Richard Marx, who had a brief period of pop rock stardom in the late 80's. This I Promse You is a fairly routine, sappy ballad. They sing about being her strength and giving her hope. They promise that "never will you hurt anymore" and to hold her "until the day my life is through" but even their preteen fans probably know that such promises, said by teens, aren't necessarily meant to be taken literally.
Green Day-Minority(down 14 positions)
Fans who were concerned with the maturity Billie Joe Armstrong showed on Time Of Your Life from the Nimrod CD can be reassured by Minority, the first single from the Warning CD. Minority has the likably simple feel that made Green Day a huge success on their Dookie CD. Billie Joe sings that he doesn't want to be a conformist and is happy to stand alone.
Destiny's Child-Independent Women Pt. 1(up 9 positions)
The latest of the string of hits from the hot female r&b trio of the moment is from the Charlie's Angels soundtrack. Independent Women was probably thrown together quickly for the movie and it sounds like a throwaway. Still, it has the sleek sound of much of Destiny's Child's music and the women smoothly race through their vocals. The lyrics, with their repeated refrain "I depend on me", are an inspirational message saying women don't have to depend on men. They take on a bit of a taunting tone, celebrating how they can buy diamonds, cars and houses, saying that their hard work made it all happen, without conceding that others might not be so lucky.
Samantha Mumba-Gotta Tell You(unchanged)
Mumba is the latest young female getting the big record company push. Gotta Tell You is the title track from Mumba's CD. Gotta Tell You is fairly routine dance pop. The lyrics are O.K. Mumba sings about wanting her guy to get more involved in their relationship. She doesn't want to love him if he doesn't love her. On the verses, Mumba's voice is hard and unappealing but at least somewhat distinctive. On the choruses, thanks to backing vocals and heavy, generic production, the song turns into catchy, perky Britney-style pop. Mumba's personal story of a black Irish teen who became a pop star is undoubtedly more interesting than the song.
Backstreet Boys-Shape Of My Heart(unchanged)
Shape Of My Heart is from the Boys' new Black and Blue CD. Shape Of My Heart is the kind of song they do best, a well made ballad like I Want It That Way. The singing and harmonies aren't bad. Shape Of My Heart is fairly innocuous but the preteens won't mind. On Shape Of My Heart, they ask her for forgiveness, playing into the fan fantasy by asking her to "save me from the man I've become."
Orgy-Fiction(She Dreams In Digital)(unchanged)
Orgy's hard rock/industrial bludgeoning of New Order's Blue Monday may have been my least favorite single of 1999. Fiction, from their new Vapor Transmission CD, isn't as offensive but it's nearly as stupid. The music and lyrics are both cheesy sci-fi. Over hokey electronics, Jay Gordon sings about a robot girl he created who's gone haywire. "Now that control is gone", "my finger's on the kill switch." Whatever. Orgy take the big guitar, big atmosphere sound of bands like Korn and do it in the least interesting way possible.
Ricky Martin-She Bangs(up 2 positions)
She Bangs is from the new Sound Loaded CD. Like on Livin' La Vida Loca, horns and percussion create a high spirited party mood though Martin's vocals and the song in general are more leisurely paced than on Martin's huge hit. She Bangs is somewhat silly but fun Latin pop. Martin sings about an imposing lady who looks like a flower but stings like a bee. She's playing with him. After she "lit a fuse" she blew him off.
Like Pardon Me, Incubus' hit from the Make Yourself CD, Stellar is hard rock with a bit of an unusual edge. Stellar has jazzy, psychedelic verses that give way to harder, guitar driven choruses. Brandon Boyd sings about being amazed by his lover asking, how do you do it, and equating having sex with her with the sensation of being in outer space.
Debelah Morgan-Dance With Me(up 4 positions)
The title track from the Dance With Me CD is a bit bizarre but it probably works O.K. on the dance floor. With its insistent violin, Dance With Me is a little like Marc Anthony's I Need To Know but the recent hit it most resembles is Sonique's It Feels So Good. Both are throwbacks to the dopey hits of the late 70's. Dance With Me is eerily like a hit from the peak of the disco craze in its use of a gimmick, an arrangement based on the tango Hernando's Hideaway from the Broadway musical The Pajama Game, and its very simple lyrics extolling the benefits of dancing. Morgan's singing is pretty good but the words are moronic with every cliche you could imagine including, "the night is young and so are we", "when we hit the floor you'll be asking for more" and "I feel the music inside."
Faded is from the Canadian trio's Nobody Does It Better CD. They're being promoted to the preteens as the latest hunky boy band but Faded isn't that bad. It sounds like a George Michael dance song with a decent, synthetic beat. They try a little too hard to seem black and cool but they basically have the sound down. The parents might not be too happy about the boys trying to convince a girl "it's time we went a bit further."
Madonna-Music(down 4 positions)
The title track from Madonna's new CD shows that an incredibly stupid song can be a hit if it's got a good beat and it's sung by a star. The broad, silly 70's tinged video for Music makes it clear that Madonna knows the song is dopey. That knowing irony, even combined with the occasional clever line like "music makes the bourgeoisie want to rebel", still doesn't stop Music from being a little annoying. You're supposed to be reminded of disco's mindless fun by the simple words: "hey mister d.j., put a record on, I want to dance with my baby." French studio wiz Mirwais Ahmadzai does a good job of laying down the beats and adding the house effects.
Shawn Mullins-Everywhere I Go(up 2 positions)
You could love or hate Lullaby, Mullins' big hit from his Soul's Core CD, but with its spoken verses and evocative, if obvious, lyrics about a woman screwed up by growing up in a weird Hollywood world, it got your attention. Everywhere I Go, from the Beneath The Velvet Sun CD, isn't going to approach Lullaby's success because it's barely noticable. Everywhere I Go is pleasant light rock influenced by the easy California sound of artists like The Eagles. The production is sleek but the result is innocuous. Mullins' voice doesn't have much personality. The mystically tinged lyrics are pretty nice. Mullins sings about the image of his lover guiding him and grounding him when he's on the road.
Aerosmith-Angel's Eyebuy it!
The lyrics about there being no place to hide from an angel's eye are ridiculous except as a tie in to the Charlie's Angels movie. At least Angel's Eye isn't as bloated and obviously commercial as I Don't Want To Miss A Thing, Aeromith's contribution to the Armageddon soundtrack, which was written by successful hack Diane Warren. Angel's Eye's music is fast and loud, with good energy. Joe Perry has a decent guitar riff. Steven Tyler is his usual over the top self, yelling the gibberish about feeding your fantasy, a "halo on fire" and "running in place like a rat in a race."
Mark Knopfler-What It Is(up 4 positions)
Since the huge success of Dire Straits' 1985 Brothers In Arms record, Mark Knopfler has kept a fairly low profile, working on soundtracks and not trying to be too commercial in his subsequent Dire Straits and solo work. What It Is is from Knopfler's new Sailing To Philadelphia CD. What It Is is reminiscent of Knopfler's great work before Money For Nothing. It's a distinctive, textured rocker like Making Movies' Tunnel Of Love. Knopfler's guitar playing is seemingly effortless as he unshowily sprinkles interesting riffs. His assuming voice easily twists around the shifting meters. What It Is is nicely detailed with vignettes about a small Scottish town and lots of observations including the fact "everybody's looking for somebody's arms to fall into."
Kandi-Don't Think I'm Not(unchanged)
Don't Think I'm Not is from the Hey Kandi CD. It's a little weird musically. The music shifts from austere piano to lush ballad with very heavy strings. Then the strings are awkwardly thrown together on the chorus with hard, synthetic beats. The lyrics are kind of weird too. Kandi brags that while her guy has been playing around with someone else, she has too. I understand her happiness at not being a total sucker and getting some revenge but it doesn't sound like a situation to be happy about.
Marilyn Manson-Disposable Teens(up 1 position)
Disposable Teens is from Marilyn Manson's Holy Wood CD. Especially since the shock value of his weird androgynous image has faded, everything about Manson seems kind of obvious. Disposable Teens has harsh, hard guitars but the sound is merely unpleasant, not overpowering like his role model Trent Reznor's. Manson's tough guy vocals are kind of silly. After some people held his music responsible for the Columbine killings, Manson is more self pitying than ever: "I've got a face made for violence and porn and I'm a teen distortion, survived abortion." Claiming to speak for today's youth, his rebellion shows the sophistication of a 13 year old: "the more you fear us, the meaner we'll get." He dares to allude to the Beatles, singing, "you say you want a revolution, I say you're full of shit."
Shaggy-It Wasn't Mebuy it!
It Wasn't Me, from the Hotshot CD, perpetuates the idea that a charming rascal can wink and lie to a woman and get out of any problem. Still, It Wasn't Me is so silly and ingratiating that it's hard to dislike. The song is well structured with Rik Rok playing the man caught "red handed creeping with girl next door." Shaggy is his foolish buddy telling him to deny everything despite physical, eyewitness and photographic evidence. The contrast between Rik Rok's high, loose, youthful voice and Shaggy's deep Jamaican style rumble is appealing. The song has a good groove with minimal, well chosen synth effects and Shaggy's fast, nearly indecipherable toasting.
Dandy Warhols-Bohemian Like Youbuy it!
Bohemian Like You, from the Thirteen Tales From Urban Bohemia CD, is one of the best singles of the year. The band have previously shown their ability to create a psychedelic groove. On Bohemian Like You, the band build a great wall of sound with fuzzy guitars, retro organs and, of course, a tamborine. Courtney Taylor is appropriately deadpan for the funny lyrics about trying to convince a downtown girl that he's right for her since he waits tables and plays in a band too.
Foo Fighters-Next Year(down 8 positions)
With the exception of the very good Learn To Fly, most of the rockers on There Is Nothing Left To Lose are fairly routine. Two slow songs, Ain't It The Life and Next Year, are among the most interesting on the CD. Next Year has a good dreamy atmosphere. Strings give it the feel of a thoughtful late Beatles ballad. The lyrics seem to use a trip into space to represent a break in a relationship that will make things all better.
Sting-After The Rain Has Fallen(unchanged)
After his 1996 Mercury Falling CD tanked, there was reason to believe that Sting's pop gifts had faded and been replaced by a boring maturity. Then the atmospheric, textured Desert Rose, from his Brand New Day CD, gave him his first hit in seven years. After The Rain Has Fallen gives further proof that his skills are intact. After The Rain Has Fallen has a good, state of the art dance beat. The very catchy chorus is reminiscent of his If I Ever Lose My Faith In You. The story of a princess and a palace thief is about love being more important than property.