I guess I should point off first of all that I didn't actually pay
to see this movie. I had nothing to do and it was on the dorm's cable
network so I decided to give it a whirl, with the full knowledge that
this would be the most mediocre Disney cartoon since about 1946. In
the tradition of all the history-bending Disney tales, POCAHONTAS
takes pains to present the most politically-correct portrayal of Native
Americans (can't even call 'em Indians anymore!) despite having a
heroine that looks like Cindy Crawford and ignoring nearly all
historical facts. For starters, the real Pocahontas was around twelve
when she met John Smith but I don't see any "Pedophelia" song and
dance number.
As the story opens, Pocahontas is out singing to the animals
and talking to the old woman tree spirit when the drunken, corrupt
Englishmen arrive in the new world, led by the round Governor
Ratcliffe (as for the way his character looks and talks, remember the
Sheriff of Nottingham from ROBIN HOOD?) and John Smith. Here
we get more factual White-Out applied to history. Smith didn't come
over until the third Jamestown excursion, after all the original
colonists were dying of dysentery (again, a song-and-dance number
they left out), and he sure didn't look like Mel Gibson. Imagine the
pairing of John Goodman and Christina Ricci and there's your real-life
romance.
We instantly are forced to side with the Ind... er, Native
Americans upon seeing the rudeness of the settlers, who immediately
dig up all the earth in search of gold. The natives don't take well to
this intrusion, attacking once or twice. Ratcliffe asks what possible
motive the "savages" would have for attacking God's people, to his
effeminate servant's response, "Let's see, we stole their land, cut down
their trees and dug up their earth."
Alright, dammit! All us white guys know it was wrong to
steal the land away from the Indians and force them into an existence
of selling Navajo blankets on the side of the road, but I refuse to feel
guilty about it. And if the Disney people want to make us all feel guilt
about it, I don't think the proper medium is a cheery movie where the
trees talk and everyone breaks into song at the drop of a tribal
headdress. Maybe another black-and-white three hour epic detailing
every minute of the inhumanity and suffering, but not a G-rated movie
where a raccoon and a dog playfully fight over food in every other
scene.
So Pocahontas investigates the new visitors and meets Smith,
who turns out to be a Not-Bad White Guy (the only one in the movie).
After the customary song about how narrow-minded and self-centered
the whiteys are for not realizing the trees do actually talk, the two end
up falling in love. It's a match made in the pit of hell. The Indians are
mad at her for befriending the enemy, not to mention the fact that
she's already engaged to one of her own people ("But he's so...
serious," Pocahontas claims in her 17th century valley girl voice.
Welcome to Jamestown, 90210.), and Smith's friends are also upset
he's wasting his superior Anglo self on the savage girl, even if she
does look like this month's centerfold.
I really don't know what to say about this one. PC-HONTAS
annoyed me most of the time with its constant sensitivity issues and
screwing around with history. Nowhere is that more evident than the
happy ending, where the colonists realize the Indians are human after
all and befriend them. Um, when did that one happen? Was it
somewhere along that whole Trail of Tears thing when the Americans
massacred 30,000 of them? Besides that, it's probably the least
entertaining Disney animated feature in a long time. The songs are
substandard and there are way too many of them. If you can overlook
that and can control the vomit reflex every time we get a speech about
ethnic intolerance and the stealing of land, maybe you'll be entertained
by it. I wasn't.
Copyright © 1996 Andrew Hicks