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All-Reviews.com Movie/Video Review
Hackers
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out of 4
 Review by Dragan Antulov 2 stars out of 4
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Hollywood's inability to tackle current cultural trends became
apparent in mid-1990s with couple of movies that had new and "hip"
concepts of Internet and cyberspace as part of their plots. Results
were disappointing, to say the least, mostly because Hollywood
filmmakers showed barely any understanding of the phenomenon.
One of exceptions was HACKERS, 1995 teen-oriented thriller
directed by Ian Softley, and mostly because the subject was never
intended to be taken seriously.
Protagonist of the film is Dade Murphy (played by Jonny Lee Miller),
18-year old high school student in New York. Reaching 18th birthday
has a special meaning for him because seven years ago he had
managed to hack Wall Street computer systems and cause market
collapse. Banned from touching computers until reaching 18, Dade
relishes in new freedom, takes pseudonym "Zero Cool" and joins
elite group of computer hackers. Their life consists of occasional
cyber-prank, hanging out in cybercaffes and video-arcades, but the
real adventure begins when Joey (played by Jesse Bradford), one of
young hackers, stumbles on top secret files belonging to huge
corporation. Joey is soon afterwards arrested by Secret Service, but
the diskette containing files is hidden. This object is sought by
Eugene Belford a.k.a. "Plague" (played by Fisher Stevens), former
hacker who now works as computer security expert for huge
corporation. "Plague" has devised brilliant plan to commit mass
cyber-theft and plant the evidence to unsuspecting young hackers.
British director Iain Softley didn't know much of computers, hackers
or Internet, and this ignorance led him to take over-creative approach
to those phenomena. It turned out to be wise decision, because
realistic portrayal of overweight geeks in spectacles spending hours
in zombie-like trance in front of displays is hardly recipe for
commercially successful movie. Instead of that, protagonists of
HACKERS are good-looking teens, dressed in "hip" clothes, spending
free time in "hip" underground clubs and displaying "hip" liberal
attitudes and "hip" sexual orientations. Their computers are able to
turn their hacking activities into visual spectacle worthy of most
expensive Hollywood blockbuster. Of course, all that hardly has
anything to do with real life (except for few lines borrowed from
1980s "Hacker Manifesto"), but audience would hardly care. Softley
confidently directs plot and protagonists, and nice look of the film is
matched with good acting. The most impressive role is one played by
Fisher Stevens; few actors have portrayed such original and
interesting villain in recent memory. Lorraine Bracco is, on the other
hand, dreadful in the role of villain's confederate. Despite that flaw,
HACKERS should be recommended as an entertaining movie with
potential for cult status in a time when technological progress makes
all its "cool" gadgets obsolete.
Copyright © 2003 Dragan Antulov
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