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All-Reviews.com Movie/Video Review
Just Cause
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 out of 4
 Review by Dragan Antulov 1 star out of 4
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Death penalty is one of those socio-political issues that separate USA and
Europe more widely than Atlantic Ocean, soccer and suffering Iraqi children
ever could. On the other hand, you couldn't make that conclusion based on
various opinion polls that find Europeans and Americans more or less equally
supportive of this ultimate form of criminal justice. However, unlike Europe,
American political establishment seem to be more aware of this than their
European counterparts. Hollywood is also aware of death penalty being popular
among movie-going audiences, so this issue is usually ignored in films of
commercial nature. When it is not, Hollywood knows which side in this debate is
more profitable at the box-office, usually at the expense of more experienced
viewers, who are thus spared from any plot twists and surprises. JUST CAUSE,
1995 thriller directed by Arne Glimcher, is one of such examples.
The screenplay, written by Jeb Stuart and Peter Stone, is based on the novel
by John Katzenbach. Protagonist is Paul Armstrong (played by Sean Connery),
Harvard law professor whose legal expertise is matched only by his vocal
opposition to death penalty. After 25 years he decides to put his practical
skills to good use when he finds about Bobby Earl (played by Blair Underwood),
young black man in Florida death row, sentenced to death for the rape and murder
of little white girl. Earl claims that he didn't commit this crime and that his
confession was the result of brutal police beating. Soon after arriving in
Florida and experiencing small-town hostility and bias, Armstrong quickly
realises that the young man is indeed innocent and that the real killer might be
someone else.
JUST CAUSE could have dealt with death penalty or race relations in New
South and still remained an interesting and exciting thriller. Unfortunately,
scriptwriters Frost and Stone used those elements only as plot devices,
desperately trying to compensate inadequacies of formulaic plot, burdened
with a twist that would hardly be surprising to any experienced viewer. Even the
presence of otherwise reliable actors can't save this mess of a movie ? Sean
Connery is terribly unconvincing in the role of mild-mannered Harvard
scholar who turns into action superhero at the end, while Ed Harris overacts
while unsuccessfully trying to make his psychopathic character meaner than
Hopkins' in THE SILENCE OF THE LAMBS. On the other hand, Laurence Fishburne is
at least interesting in his portrayal of black detective? the only non-cliched
character in JUST CAUSE. Unfortunately, his efforts weren't enough to save this
film from well-deserved descent to cinema oblivion.
Copyright © 2002 Dragan Antulov
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