Based on the 1970 comedy written by Neil Simon and starring Jack Lemmon
and Sandy Dennis, the '90s update of "The Out-of-Towners" contains the
same basic plot, but comparisons pretty much end right there. Although
the film doesn't have what it takes to pull over to the side of comic
brilliance, the movie is fast-paced and enjoyable enough, aided by the
dynamite duo of Steve Martin and Goldie Hawn.
Unhappy Ohio suburbanites Henry (Martin) and Nancy Clark (Hawn) are
suffering through separate mid-life crisises. While Henry is harboring
the secret that he has been laid off from his job and is about to travel
to New York City to be interviewed for a high-profile advertising
position, Nancy is depressed because all of their adult children have
finally left the nest and her relationship with Henry has seriously
dwindled. On the spur of the moment, Nancy decides to accompany Henry on
his trip, and that is the start of a wild, dangerous, and crazy 24-hour
period of hijinx in the city that never sleeps. It's pretty safe to say
that almost every outrageous thing that could happen does happen.
"The Out-of-Towners" has two things going for it and, walking into the
theater, you knew that at least one of them couldn't fail (the
partnering of Martin and Hawn). Martin is one of the great modern-day
comedians (as far as I'm concerned, he is funnier than all of the recent
ones, like Jim Carrey and Adam Sandler), while Hawn is always a bright
and winning presence. Since they both have perfect comic timing, many of
the jokes were bound not to fail, and there are many that are downright
hilarious (on the other hand, a few fall flat). One of the scenes that
gave me the loudest laugh was when Nancy is reading the map to Henry as
they are driving to the city. "You know this upcoming exit?" Nancy asks.
Henry immediately turns off onto the exit. "Well, keep going past that,"
Nancy continues. Very funny. And how about the sequence where they
accidentally walk in on a sexaholics anonymous meeting within a church
and get caught up within the group discussion. These delightful moments
are also thanks to the second reason the film is an overall successful
venture, and that is Marc Lawrence's slight, but constantly snappy
screenplay.
In a memorable supporting role, John Cleese plays the manager of a ritzy
New York hotel who gets involved in the couple's plight and is
discovered later on by Nancy dancing around a hotel room in women's
clothes and stiletto high heels. Cleese has some subtly amusing moments,
particularly one in which, while in the hotel's lobby, he stops for a
second to admire a customer's outfit. Meanwhile, mayor Rudy Giuliani
appears in a cameo and could have been used to fabulously zany effect in
one of the film's key scenes, but is wasted and thrown to the wayside.
Inevitably, through all of the various mishaps that occur, Henry and
Nancy start to come to terms with their marriage and begin to fall in
love with each other all over again. It may very well be predictable
(and it is), but it is the high energy of Martin and Hawn that keeps
this light-as-a-feather comedy afloat. I hope they work together again
real soon.
Copyright © 1999 Dustin Putman