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All-Reviews.com Movie/Video Review
Sense and Sensibility
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  out of 4
| *Also starring: | Alan Rickman, Kate Winslet, Gemma Jones, James Fleet, Harriet Walter, Elizabeth Spriggs, Robert Hardy, Greg Wise |
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 Review by Dragan Antulov 2½ stars out of 4
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The rule about good literature being usually adapted into bad movies
and vice versa can be applied even to the works of Jane Austen. Last
decade saw the flood of high profile Hollywood adaptations of Jane
Austen's novels. Arguably the most successful of them, SENSE AND
SENSIBILITY, 1995 melodrama directed by Ang Lee, is based on the
least successful of all Jane Austen's novels.
The plot takes place in early 19th Century England. Mr. John
Dashwood (played by Tom Wilkinson), wealthy rural aristocrat, has
just died and the law demands that the inheritance goes to John
(played by James Fleet), his son from first marriage. Mrs. Dashwood
(played by Gemma Jones) and their three daughters are left with
small cottage and modest annuity. Their situation is even worse
because of John's greedy wife Fanny (played by Harriest Walter) and
Dashwood women are forced to seek shelter in the home of their
cousin Mrs. Jennings (played by Elizabeth Spriggs). Two oldest
Dashwood daughters are forced to earn money in the only way
imaginable for women from their social class - by marrying wealthy
suitors. Each woman has found possible candidates - older and
sensible Ellinor (played by Emma Thompson) attracts Fanny's
brother Edward Ferrars (played by Hugh Grant) while her younger
and passionate Marianne (played by Kate Winslet) attracts her
wealthy neighbour Colonel Brandon (played by Alan Rickman).
Marianne, however, is attracted to another man, dashing playboy
John Willoughby (played by Greg Wise).
SENSE AND SENSIBILITY featured two talents that had to make
something of a point. Respected British actress Emma Thompson not
only appeared on screen but also proved that she could be successful
screenwriter, later winning "Oscar" for her efforts. Taiwanese director
Ang Lee had to prove that he could handle such an alien subject and
settings like the life of British aristocracy in early 19th Century. Ang
Lee succeeded in this, in many ways aided by the group Thompson's
intelligent script, great care for period detail and likeable musical
score by Patrick Doyle. But the most important ingredient in the
formula was the casting - apart from use recognisable and reliable
faces like Grant and Thompson the best thing was Alan Rickman,
here playing something of a good guy for a change. Yet all those
talents can't hide the simplicity of the Cinderella-like plot and the
predictability of its resolution. However, the audience probably
wouldn't mind, just like it didn't mind in mid 1990s. Seeing world
that seems kinder, gentler, nobler and simpler to our own can have
certain therapeutic value.
Copyright © 2003 Dragan Antulov
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