Finally, we witness a film about priests and miracles that does not condescend
to the audience by featuring superfluous special-effects or a demonic Patricia
Arquette. "The Third Miracle" is a bloody miracle, an extremely well-acted and
thematically rich film by notable director Agnieszka Holland ("Europa,
Europa").
Ed Harris stars as Father Frank Shore, a postulator, known by many as the
"miracle killer," who is seen at the start of the film working at a soup
kitchen. He is called back into duty to investigate a woman who may or may not
be a saint but is loved by the people of a Chicago community all the same.
Every November, the people gather to see a statue that weeps blood - this is
coincidentally the month in which Helen O'Regan (Barbara Sukowa) - the supposed
saint - died. There is talk that she cured a young girl of lupus by simply
touching the girl.
Father Shore has his doubts but the blood is discovered to be real, and the
girl, now a drug-addicted runaway, was cured of lupus. But can there be some
doubt that this is all highly coincidental? Is Father Shore the right priest to
investigate since years earlier he had debunked the myth of another saint and
thus destroyed the faith of an entire community? There is also the question
that a saint would never leave his or her children behind to pursue faith. Such
is the case with the late Helen, who abandoned her daughter, Roxanne (Anne
Heche). Roxanne is angry at her mother and feels she could never be deemed a
saint.
"The Third Miracle" asks lots of questions and justifiably answers very few of
them. Father Shore may have doubts about his own faith (as most priests do in
the movies nowadays) but this is a job, and it is one he where he must be
nonjudgmental. He has his own emotional flaws, such as the possibility of
falling in love with Roxanne. He also has to fight against the devil's
advocate, Archbishop Werner (Armin Mueller-Stahl), a ferociously stubborn man
who feels the world has no need for more saints or miracles. But sainthood is a
tricky judgment, it has to be proved and tested and Father Shore goes against
all odds in pursuing the truth and, thus, waiting for another miracle.
Ed Harris does solid work (as always) as the dubious Father Shore, one of the
few actors on the silver screen whom you can tell when his mind is at work. He
has a very touching, effective scene with Heche, as she visits her mother's
grave and they talk about the good Father's flirtations and loss of virginity
in high school. Some of this was also featured in the horrible "Stigmata," but
here Harris makes it all credible and believable. Anne Heche is sprightly and
alive as always...and she shares lots of emotionally implicit scenes with
Harris.
"The Third Miracle" is not a great film (I am tired of seeing statues weeping
blood, for one, and the ending is abrupt) but it is richly rewarding and
tastefully done. It leaves you thinking about what the church constitutes as
miracles nowadays, and what a saint's credentials should be. Ultimately, it is
a fascinating look at the nature and question of faith in the church. And
thanks to Ed Harris, we almost come close to believing that any miracle may be
possible.
Copyright © 2000 Jerry Saravia