| Reviewer Roundup |
| 1. |
 | Harvey Karten |
 | review follows |
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| 2. |
| Steve Rhodes |
| read the review |
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Review by Harvey Karten
No Rating Supplied
A world of similar films may be enough for most directors but
not for Michael Apted whose range includes original, significant
documentaries like "7-Up" (the lives and aspirations of seven-
year-old children, continued as those very children reach the
ages of 14, 212, 28 and 35), a critical and popular success,
"The Coal Miner's Daughter" (exploring the life of country singer
Laura Lynn), "Gorillas in the Mist" (about ape researcher Dian
Fossey) and then, less than three years ago, a James Bond
thriller, "The World is Not Enough." Defying the expectations of
movie fans that his look into British code-breaking during World
War II would be a knock-down, drag-out action pic given the
recent explosion of Second World War blockbusters, his
"Enigma" is a thinking person's spy story with most of the action
occurring internally and the few scenes of vigorous goings-on
such as the inevitable car chase, the leap from trains, and the
explosion that knocks out a submarine almost a disappointing
change from mental activity. Though there are not the usual
blind alleys in this spy story, there's a couple of neat twists, but
generally "Enigma" is to a great extent what spying and code-
breaking are all about: lots of perspiration with just a smidgen or
two of daredevil antics. Even the romance is realistic.
Using British actors, some of whom are scarcely known to the
mainstream American movie audience, Apted with a big boost
from Tom Stoppard's intricate and complex dialogue takes us
into the Bletchley Park of 1943, sixty miles north of London, a
building that houses men and women intent on intercepting and
breaking German codes. While an Allied merchant shipping
convoy laden with supplies for Britain is crossing the Atlantic
with ten thousand passengers, a swarm of German U-boats is
beeping instructions, one to the others, about the location of the
merchant vessels which are now in imminent danger.
Ordinarily, the British cloak-and-dagger people would have
broken the code to determine the location of the subs, but the
enemy has ascertained that its code had been broken and has
changed the cryptograms to the frustration of the English. The
question is: who leaked this secret military information to the
Nazis? Just about anyone at Bletchley Park could be a suspect
in the mind of secret service agent Wigram (the predictably
dapper and witty Jeremy Northam), but Wigram has honed in
the brilliant mathematician Tom Jericho (Dougray Scott), who he
suspects has revealed the information foolishly to a Bletchley
agent who had caught his fancy, Claire Romilly (Saffron
Burrows). Working with Claire's roommate, Hester Wallace
(Kate Winslet), Dougray determines to stay a few steps ahead
of the pursuing Wigram while attempting to crack the new
German code and discover the whereabouts of the missing
Claire now suspected of treason.
Ireland's distinguished critic, Harvey O'Brien, has stated that
"Enigma" is the sort of movie that may appeal to an older
audience, the young 'uns presumably unable to tolerate the lack
of an MTV-like pace and explosions. Blockbusters have
become a familiar landscape with films like "We Were Soldiers"
and the upcoming "Windtalkers" and I believe Dr. O'Brien is on
to something, but what a pity. Yet while "Enigma" could have
been a plodding docu-drama like Attenborough's "Gandhi,"
Apted wisely chooses to inject considerable romance into the
story to catch our fancy. Tom Jericho has become obsessed
with the seductive and beautiful Claire and may have given
away valuable information to this mysterious woman, while he
takes notice, albeit more slowly, of the superior charms of the
more intelligent but mousy-looking Hester. The chemistry
between Scott and Winslet is not as palpable as the kind the
typical American movie audience expects, but is more realistic
and is portrayed with real class amid a well crafted film that
benefits much from John Barry's hypnotic but unobtrusive music
and photographed handsomely by Seamus McGarvey in the UK
(including Scotland) and the Netherlands. As an added benefit,
"Enigma" puts the credit for the codebreaking operations
correctly with the British and not with the Americans (as
expressed in the film "U-571"). The acting is first rate, from
Jeremy Northam's schtick as the confident, debonair secret
agent to Kate Winslet's successful attempt to do the
impossible to appear unglamorous. Dougray Scott illustrates
what is probably the typical way a person may react while
recovering from nervous exhaustion. All in all, an intelligent
piece of work with believable (rather than over-the-top) romance
and a credible look at some of the unsung heroes of World War
II.
Copyright © 2002 Harvey Karten
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