Based on the novel by English author Eric Knight, this film is set in Depression era Yorkshire, where Sam Carraclough (Donald Crisp) and his wife (Elsa Lanchester) and son Joe (Roddy McDowall) must endure the hard times caused by employment. For the little Joe the only comfort in those hard times comes in the shape of Lassie, collie which is his father's pride and joy. But one day money runs out and family is forced to sell the dog to rich Duke of Rudling (Nigel Bruce). The dog, however, is using every opportunity to run back to his old owner, which is causing great frustration to Duke's kennel keeper Hynes (Pat O'Malley). The escapes are to stop when Duke moves to Scotland. Duke's granddaughter Priscilla (Elizabeth Taylor) would allow dog to escape and begin long, hard and dangerous journey south.

At first glance, LASSIE COME HOME might look like nothing more than standard Old Hollywood tearjerker. But even those who don't like tearjerkers would, in most likelihood, agree that this film looks almost like a mythical masterpiece compared with some of the recent examples of the genre. The script by Hugo Butler is very tight and simple, but, in the same time, provides enough material not only to entertain the young audience, but even to make them think. The main element of the plot is based on real life - conflict between reason and emotion, this time accelerated by down-to-Earth economic hardships, something very palpable not only to the audience fifty years ago, but for people in many countries today. The sub-theme of poverty is very present in the film - on her journey Lassie encounter many characters who suffer because of it, and the only act of violence in the movie is economically motivated. But even those who don't appreciate this social aspect of the film would enjoy it, because it is well-told and interesting adventure story, full of not so spectacular, but really moving and memorable scenes. In hour and half we see some barely sketched characters, who are magically fleshed out by excellent actors, whether they are veterans like Donald Crisp or child newcomers like young Roddy McDowall and Elizabeth Taylor. Another thing that distinguishes this film from the rest is absence of true villains - compared with today's cinema, the characters seem surreally good. The music by Daniele Amfitheatrof sets the right, melancholic atmosphere, same as Oscar-nominated colour photography by Leonard Smith. The film was great success in its time and spawned many sequels, and, in later years, many remakes and imitations. But for the author of this review LASSIE COME HOME is one of those rare and precious films that are to be enjoyed by all generations - children and adult.