Review by Dragan Antulov
2 stars out of 4
Whenever Hollywood recruits some promising non-European
filmmaker the results are usually disappointing and sometimes
even devastating for the filmmaker's career or reputation. There
are few filmmakers who managed to escape such fate and
maintain the quality of their work while working for American film
industry. One of them is Jonathan Lynn, author of popular British
television sitcoms YES, MINISTER and YES, PRIME MINISTER.
Apparently, Lynn knew how to use that experience in Hollywood
and his comedies in past decade, although not masterpieces, had
consistent quality, which is something quite rare in present-day
American cinema. Among those films the best-known is 1992
comedy MY COUSIN VINNY.
The plot, based on the script by Dale Launer, starts in small
Alabama town where Bill Gambini (played by Ralph Macchio) and
Stan Rothstein (played by Mitchell Whittfiled), two young students
from New York, make a stop while driving to UCLA only to be
arrested and indicted for the murder of a convenience store clerk.
Since Southern states take such matters more seriously than rest
of the country, two young men are in danger of being put to
electric chair. In desperation and short of money needed to hire
legal help Bill remembers his cousin Vincent "Vinny" Gambini
(played by Joe Pesci), who just happens to be lawyer and who
would represent them for free. When Vinny and his girlfriend Mona
Lisa Vito (played by Marisa Tomei) arrive to Alabama, it turns out
that Vinny, former Brooklyn mechanic, is nothing more than an
inexperienced hack that have never set foot in the courtroom. To
make things even more challenging for boys' defence, Judge
Chamberlain Haller (played by Fred Gwynne) is authoritarian who
demands strict following of Alabama criminal procedure -
something that Vinny knows almost nothing about. But Vinny is not
discouraged by such odds and begins to study the law and find
some way to prove boys' innocence.
The "fish out of water" plot MY COUSIN VINNY indicates just
another "high concept" comedy that would exploit same joke all
over again. But the jokes in this comedy are plenty and the film,
although never too hilarious, remains funny from the beginning to
the end. This should be credited to Dale Launer, experienced
comedy screenwriter who obviously found good collaborator in
Jonathan Lynn. Launer's script is much more complex and it uses
the opportunity to base humour on various regional and class
differences in present-day USA. Yet, while doing so, it never takes
sides and the film is un-offensive and lacks anything resembling
villain. The result is comedy which is uplifting yet not over-
sentimental. However, the real strength of the movie is in very
good casting. Joe Pesci is truly great in one of his first truly
comical roles while Marisa Tomei deserved her "Oscar" through
excellent performance while playing Vinny's girlfriend. The other
actors are also good, and Fred Gwynne with charismatic presence
is quite memorable in his last role. Unfortunately, the casting
wasn't perfect - Ralph Maccio is terribly bland and unconvincing.
Lynn also showed less ability with pacing of the film - beginning is
too slow, which results with almost two hours of running time,
which is something quite rare for comedies in present-day
Hollywood. Yet, those two hours are very pleasant experience for
viewers and this film should be recommended to all those who
yearn for the example of good comedy made in 1990s Hollywood.
Copyright © 2002 Dragan Antulov
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