You may shed a tear while watching "Spirit" not for any of the
horses in the brilliantly animated movie or for any of the men (no
one gets killed) but the poor ol' horses around the world who
have been domesticated and are used for purposes never
intended by nature. I think of the nags that haul tourists around
Central Park in New York when the warm weather approaches,
each unfortunate four-legged beast tethered to a chariot and
made to pull up to four people on dangerous sidewalks. Not so
the hero of Kelly Albury and Lorna Cook's film, though heaven
knows people had tried their best to ruin the title character's life.
"Spirit" takes us to the wild mustang's life first as a newborn
colt, dependent on its parent for milk and protection, then as the
leader of the pack the spot reserved for him by his father. From
the time he takes his first drink of milk until he proves his
adeptness at leadership by chasing away a large, hungry
wildcat and beyond, he is in motion as are the horses and men
who come into his life. The Utah scenery, the almost unceasing
movements of these majestic beasts, the 3-D-like effects that
give this feature its breakthrough technical effects, all combine
to enthrall the kids who, in the screening I attended, did not utter
a peep until their considerable applause at the heroic
conclusion. And remember that at no time did any equine utter
a word of English Spirit's feelings were under the able
command of Matt Damon narration performance.
On the negative side, the G-rated dialogue is bereft of any
wisecracking that could get the adults in the audience to feel
that this picture is for them as well. John Fusco's script is as
banal as could be imagined. The political correctness could be
irritating as well. Little Creek, the noble Lakota Indian captured
by the mean white men in their blue uniforms who is later freed
by Spirit (and who repays the quadruped by doing likewise for
him), is an indomitable spirit himself, even when tethered and
deprived of food and water for three days. In one event, which
was the basis of the movie's most explosive scene, Spirit,
fearing that the white man's railroad would encroach upon his
horse territory, single-hoofedly stops the train in its tracks and
actually reverses its motion until the entire railroad company
barracks explode like a scene in an Arnold movie. The most
breathtaking moment takes place as Spirit and Little Creek are
seemingly trapped on a Utah cliff, standing out as though on an
island in the midst of the Great American West, with Spirit's
saving the day by making like the Tri-Star horse (Pegasus).
Breathtaking scenery and animation combines with banal
dialogue to make an animated pic just great for the kids but
simply watchable for the big fry.
Copyright © 2002 Harvey Karten