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Review by Harvey Karten
3½ stars out of 4
A forty-year-old guy is asked, "Given the illnesses and
physical breakdowns that occur during the aging process, would
you like to live to 100?" Most of us could not be blamed for
answering in the negative, but this guy replies, "Don't ask me: ask
the fellow who's 99." I'll give you 8-5 that Mr. 99 would answer in
the affirmative. Now let's take a question for which you'll have to
give me odds. "You're 17 years old and healthy as a horse.
Would you like to live to 104 with the guarantee that you'll always
look and feel like 17?"
Jay Russell illustrates some unusual answers to this in
adapting Natalie Babbitt's beloved novel to the screen. It's a short
book, exactly the kind we in junior high school sought out for book
reports much as we would the 101-page "Animal Farm" a couple
of years later. The novel was adapted to the big screen in 1980 by
Frederick King Keller, and while the current version is twelve
minutes shorter, this one not only stands up beautifully but
exceeds the Keller version of a sweet and entertaining fable which
some parents may nevertheless not want their children to see.
Why not? Kids watch their own pets die but somehow, I suspect,
those who are under nine years old are in denial. They don't know
that one day they will become as old as their great-grandparents
and move on. I wonder if their folks would want them to hear the
talk given in one scene by a character played by William Hurt
because if the youngsters listen closely as they most certainly
did during the advance screening I attended they would be faced
by the concept that their lives too will have an end.
Jay Russell, whose "My Dog Skip" is one of the best dog-
centered films since "Lassie Come Home," frames the action,
opening and closing with a mysterious motorcyclist's entry into a
modern village in search of a lost love. Cut to 1914: the home of
the wealthy Fosters whose fifteen-year-old daughter Winnie
(Alexis Bledel) is corseted in both body and mind, a gamin eager
for release from the environs of her Edwardian parents (played by
Amy Irving and Victor Garber). Rebelling against being placed
into a finishing school five hundred miles away, she bolts into the
woodlands, the first to discover a group of Thoreauvians,
particularly her love-at-first-sight man who is just eighty-seven
years her senior, Jesse Tuck (Jonathan Jackson) but who's
counting? She learns later into the story of the secret of his
youthful appearance: Jesse and his brother Miles (Scott
Bairstow), his parents Angus (William Hurt) and Mae (Sissy
Spacek), are ageless. Having drunk from a mysterious stream,
they are frozen in time at the age in which they first drank, cannot
die or be killed, and they like flapjacks (even though they
presumably did not have to bother with the pedestrian duties of
dining). A twentieth century Ponce de Leon in the form of The
Man in the Yellow Suit (Ben Kingsley) knows about the stream
and will do anything to locate its whereabouts.
Slight though the story may be, Russell draws us into the
action, holding out on the secret of the water until well into the
story to give cinematographer James L. Carter the opportunity to
cast the town of Berlin, Maryland (called Treegap) as a pristine
woodland filled with a place to swim just under a waterfall, green
as far as the eye could see, and a temptation to President Bush
to take the land and lease it to the timber interests. The question
that could keep the audience on their edge of their seats even
more than could a Jerry Bruckheimer production is, will Winnie
drink from this spring, remain fifteen forever, and spend her
eternity with the love of her life? As Angus Tuck speaks to her
while rowing out to the middle of a lake, telling her how life is a
Ferris wheel, the old folks making room for the new generation,
and how someone with eternal life is like a rock sitting unchanged
for centuries, I wanted to call out, "Don't listen to this guy! He
doesn't even have the manners to take a shave before talking to a
young lady!"
What, then, would you do, if you were in Winnie's shoes?
Would you choose to romp about with the playful and handsome
Jesse, the first guy you ever wanted to kiss? Or would you prefer
to go back to your stuffy family, have the maid help you torture
yourself with your corset, go to a suffocating finishing school, get
married, have kids and die?
The answer is so obvious that, well, leave it to novelist Natalie
Babbitt and scripters Jeffrey Lieber and James V. Hart to pull the
rug out from under us. "Tuck Everlasting" is a charmer in every
way, from the adorable twenty-one year old TV star, Alexis Bledel,
making her film debut, to the classic narration of Elisabeth Shue,
to the breathtaking scenery and it's not even filmed near
Vancouver!
Copyright © 2002 Harvey Karten
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out of 4
