| Reviewer Roundup |
| 1. |
 | Harvey Karten |
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| 2. |
| Steve Rhodes |
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Review by Harvey Karten
2 stars out of 4
What do writer-directors look for in a caper movie? If the
caper involves the theft of jewels as is the case with Chris Ver
Wiel's "Who is Cletis Tout?", they'd look for inspiration to the
king of the genre, Jules Dassin's "Topkapi" about would-be
thieves who plan the perfect crime in an Istanbul museum.
"Topkapi" had thrills, derring-do, and featured well-directed roles
for major talent like Melina Mercouri, Peter Ustinov, Robert
Morley and Maximilian Schell. "Cletis Tout" has some top talent
as well, but while Ver Wiel's production is diverting enough, the
plot is a mixed bag lacking the chills of a boldly-conceived
robbery, a strong sense of comic timing, and a convincing love
story.
A tale of mistaken identity that almost lands Finch (Christian
Slater) in the morgue, "Who is Cletis Tout" opens in the present
time. Hitman Critical Jim (Tim Allen), whose hobby when not
killing people for money is watching classic films and
memorizing the wittiest lines, holds Finch hostage, with
instructions to the mobsters who hired him that his fee must be
transferred to his bank account within 90 minutes of he lets his
victim go. Since the money is no problem, Finch has the burden
of talking Jim out of the hit. Latching on to Critical Jim's love for
the cinema, he describes the plot of a intriguing potential movie
based on his own experiences, which begin in 1977 when he
meets the perpetrator of a botched diamond heist, Micah
(Richard Dreyfuss), in a North Carolina maximum security
prison. Micah has been sent up for forgery, a skill that serves
the two jail birds after their escape, as they hook up with Micah's
now-grown daughter, Tess (Portia De Rossi)--who takes an
immediate dislike to Finch.
For Critical Jim to buy the proposed film and thereby let Finch
escape from his clutches, he insists that Finch give the
audience what they want: a jewel heist, a prison break and a
girl all of which he gets. One trouble with the proposal as acted
out by the characters described in the room is that there is little
chemistry between Tess and Finch. Her distaste for the man
she has just met and who has offended her is not convincing,
nor is their mutual attraction thereafter. Yet another is that the
comic genius of Billy Connolly in the role of a corrupt coroner,
Dr. Savian, is underutilized. Richard Dreyfus seems
uncomfortable with his alarmingly small role as the diamond
thief whose days are numbered, and the two stooges who are
hired as hitmen, Nimble (Louis Di Bianco) and Fife (Tony
Nappo) might have been funny in the forties but are not
amusing in a contemporary comedy. The biggest
embarrassment of all is RuPaul as a drag queen who seems to
have entered from another movie. Ver Wiel must have been
thinking that an audience might still laugh at the stereotypical
antics of such a character. "Who is Cletis Tout" is not destined
to be the kind of movie that a lover of the classics like Critical
Jim would consider viewing.
Copyright © 2002 Harvey Karten
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