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Review by Harvey Karten
3 stars out of 4
During the late 1960's and early 1970's, when college students
across the land were protesting the Vietnam War, the "America:
Love It Or Leave It" types would sniff, "These kids should be
sitting in the classroom and learning. That's what college is for."
Not exactly. People do not give up their humanity when they
enter the ivy-coated walls of the university. Though most are
merely at the cusp of adolescence, students are three-
dimensional human beings and what's more their hormones
require activity. Activity during what used to be an idealistic age
could properly be directed at protests especially if rock music
accompanies. One of the principal characters of "Abandon,"
Embry (Charlie Hunnam), is not necessarily idealistic but he's
certainly keen on activity outside the classroom. About to
graduate summa cum laude from a prestigious school (actually
filmed at McGill University in Montreal), he suddenly disappears,
leaving behind two first-class tickets to Athens. Vanished into
thin air. Suddenly the police want to know why and where. (Don't
ask what the cops were doing just after his disappearance.)
"Abandon," then deals with Embry's abandonment of college
and of his girlfriend Katie (Katie Holmes), a theme that dovetails
into Katie's abandonment by her dad when she was young, which
links into Katie's abandoning Harrison (Gabriel Mann) who eagerly
pursues her following Embry's disappearance. Credit writer-
director Stephen Gagham, whose resume includes scripting of
"Rules of Engagement" and "'Traffic," with giving his audience a
Hitchcockian psychological thriller which may not make us overly
familiar with the edges of our seats but which is an intriguing
detective story/thriller/romance filled with engaging characters.
Katie and Embry are the most engaging of all. Embry, for
example that's the guy who disappeared just before graduating
summa cum laude and who had previously set off on an
archeological expedition of Crete is seen leading a large chorus
of college students in the performance of William S. Byrd's
"Gloria" from "Mass for Four Voices" which is supposed to be a
Latin mass written by monks not for the entertainment of other
human beings but directly to God. The charismatic Embry
(played by a guy who may just be the next Brad Pitt) commands
the attention of a rock star in leading his group singing in Latin,
selecting none other than Katie to be his star soprano. Hence
their relationship, cut off mysteriously by Embry's disappearance.
Gaghan wants to explore various sides of Katie to give us a
fairly deep picture of this conflicted human being, one who is
under pressure to complete her senior thesis, to study for finals,
and to prepare for and go on job interviews. (She has a 3.94 GPA,
which makes one of her interviewers think she can calculate how
many pennies it would take to fill the interview room.) Katie is
pursued by Harrison despite his being told that the two of them
are just friends. Katie is pursued by the school psychologist to
whom she repairs to talk about her stress. Katie is pursued by a
detective, Wade Handler (Benjamin Bratt), and by the team of
interviewers for a finance company and more particularly by one
particular fellow who is about to become a partner in that very firm.
Everyone likes Katie. Why? Who knows? She's cute and a fine
actress, but I'd probably go for Zooey Deschanel. She's the one
who stole the show from Jake Gyllenhaal and Jennifer Anniston in
"The Good Girl." I hope she never tries to play Medea or Lady
Macbeth but in comic roles she's a knockout. Here Ms.
Deschanel does not get the chance to say naughty things over
the microphone to shoppers at a Wal-Mart, but she captures
every funny line in "Abandon" with her sexual advice to her
roommates and others.
No, college is not just for study. Anyone who has been to the
movies during the past couple of years knows that every university
east and west of Bob Jones University is the place to have fun
before donning your Brooks Brothers suit, Paisley tie, and
tasseled loafers. But Katie is not having the kind of fun she would
like, not after being abandoned by the love of her life, and
"Abandon," while not being terribly original or about to move
Hitchcock and Polanski aside is a well-made package of chills
and obsession.
Copyright © 2002 Harvey Karten
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