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Review by Harvey Karten
3 stars out of 4
Who says you have to be an astronaut to experience
weightlessness? Certainly not McG, who directs a stunning
sequel to the first "Charlie's Angels" picture and definitely not
John August, Cormac Wibberley and Marianne Wibberley who
wrote the screenplay. These angels have no wings, but my-oh-
my do they ever fly! Doing Ang Lee's "Crouching Tiger, Hidden
Dragon" more than one or two better in the stunt department,
Cameron Diaz as Natalie Cook, Drew Barrymore as Dylan
Sanders, and Lucy Liu as Alex Munday survive bullets, free-
falls, explosions, and best of all stick together despite the
wedding bells that could have broken up that old gang of theirs.
In a story that glorifies women as smart, athletic, gorgeous
and deadly while the men are either slow, vicous or clowns,
"Charlie's Angels: Full Throttle" takes us from scene to scene
unburdened by fusty conventions of credibility or anything that
Isaac Newton thought he knew when that apple fell on his head.
No matter that the plot is even thinner than Demi Moore,
consisting of the search not for one ring (leave elementary stuff
like that to J.R.R. Tolkien) but for two, both needed by the bad
guys as a Rosetta Stone to the identities of all who enjoy the
government's largesse in the witness protection program. The
principal villain, Madison Lee (Demi Moore) is a fallen angel
who seeks the two rings which, when put together through a
computer will reveal this information which she can then sell to
a vindictive band of mafiosi from Japan, Italy and Latin America.
While they, predictably enough, find the rings, getting there is
all the fun, allowing the make-up and costume people (Kimberly
Greene and Charyl Beasley Blackwell respectively) to give the
three angels virtually new identities whether their heads are
covered with rubber masks or the finely tuned bodies outfitted
with dazzling threads that could attract audience attention even
on Oscar night.
The most fun of all is had by by former music-video director
and helmer of "Full Throttle," McG, who's had three years to
outdo what he achieved in the original frothy pic which featured
operatives working for an unseen boss at a detective agency.
Unfortunately, there's a deja-vu: this time, as then, the fun
begins to pall halfway through, but then again how do you top a
stunning, James-Bond style opener honing in on the three
beauties who rescue a guy from the clutches of some sinister
rogues in Northern Mongolia with six-foot long rapiers and
macho to match? Other than that, the dirt-bike race is the
winning edge-of-your-seat contest where, as the starter intones,
"the only rule is that there are no rules." In the Ben-Hur
mayhem that follows, bikers kick one another over the cliffs,
even knock out a few rounds of their pistols while riding upside
down on their wheels.
As for chemistry, usually important in romantic dramas and
comedies and now a given in spunky action thrillers, you can't
beat the combination of Lucy Liu, Drew Barrymore and
Cameron Diaz, none of whom tries to upstage the others
although Ms. Diaz, whether performing some hot dances,
swooning to the entreaties of her boyfriend Pete (Luke Wilson),
or kicking butt, is first among equals.
Cameron Diaz aside, the cognoscenti will probably be buzzing
about Demi Moore, a middle-aged mother back from a few
years off from the big ones, who dazzles the crowd the most: a
sleek, sharp, Greek-bodied meanie who is believably a match
for all three of the angels. This high-budget production gets
more energy than it requires from side roles such as Crispin
Glover's as The Thin Man, Bernie Mac as the behind-the-
scenes helper, and John Cleese as the bewildered dad who
thanks to a few of Matt LeBlanc's double entendres as Alex's
boyfriend thinks that his daughter, Alex, is naughtier than even
an angel has the right to be.
Copyright © 2003 Harvey Karten
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