| Reviewer Roundup |
| 1. |
 | Harvey Karten |
 | review follows |
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| 2. |
| Steve Rhodes |
| read the review |
|    |
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Review by Harvey Karten
3 stars out of 4
If the U.S. pulled its troops out of Saudi Arabia, would bin Laden
and his cohorts be satisfied enough to stop their terrorists
attacks? Probably not. Why not? The attacks are motivated
only partly by specific wrongs for which the fanatics blame the
U.S. The principal cause of the aggression is pure hatred against
a West that is far more prosperous and allows considerable
freedom to groups (such as women) that are kept down by some
of the states that house the extremists. Is there a way to rid
ourselves of these terrorist attacks without invading Iraq? Sure
but not practical. You can inject all the people in the world daily
with a drug that would turn them into virtual zombies (Librium, for
example, from which the title of this film may have been derived).
Voila. We're all devoid of emotions, the negative ones like
jealousy, sorry and hatred and the positive ones like love and
friendship. This is the principal concept of Kurt Wimmer's
imaginative sci-fi thriller, "Equilibrium," which despite being a
retread embodying tales like "Fahrenheit 451" (underground
movement retreats to memorize banned books), "The Matrix"
(videogame-like shoot-ups), "Village of the Damned" (reading
people's minds), "Gattica" (the search for the perfect human
being), "1984" (anti-sex league, Big Brother is watching) comes
out of today's headlines, at a time that government officials are
pondering what to do about enraged fanatics intent on destruction
out of pure hatred for the enemy.
When Wimmer starts his film with portentous narration and
pictures of Joe Stalin, Adolph Hitler and Saddam Hussein, we're
ready to think that what the society known as Equilibrium has
done to prevent war is utopian, and not, as production notes state,
dystopian. After all, what could be better than a world without
war? The question is: are we willing to shed our emotions to
reach that state, to become zombies whose only purpose is to
further the interests of the state?
In the film, which stars Christian Bale as a top paramilitary
official Cleric John Preston who gets to kill far more people than
did the American psycho, a machine-gun-toting force looking like
clones of robocop keep perpetual vigil over the last enclave of
human beings left on earth following a nuclear World War III. To
avoid World War IV, that is, a civil war in this case, everyone is
mandated to inject himself daily with Prozium. Prozium numbes
all senses and people appear willing to subject themselves to this
ritual because they heed the omniscient head cleric (Angus
MacFadyen) who appears on the Imax screens all over the city.
Such a society is bound to fail, however, because some hardy
men will remember how they feel in the presence of women (and
vice versa) and form underground movements to topple the regime
even though a new order could lead to war. When Cleric John
Preston, having accidentally dropped his dose of Prozium, is
unable to get a new supply for a day, he runs into Mary O'Brien
(Emily Watson), whom he arrests for ignoring the drug and living
with perfume and music, and who challenges a way of life that
requires a shucking off of all feeling. Now, nobody can resist
Emily Watson, drug or no drug, and pretty soon Preston
questions his loyalty to the regime, a situation noticed by his
increasingly suspicious partner, Cleric Brandt (Taye Diggs).
What gives "Equilibrium" its power despite its recycling of old
themes is incredible production values. Filmed at State University
of New York at Purchase and featuring "Metropolis" and "Dark
City" style architecture, "Equilibrium" enjoys momentous
production values. Virtually every scene could be frozen and
placed in a museum of cinematically vivid shots. Christian Bale is
charismatic, not only because of his slicked-back black hair his
serious demeanor but because we can actually believe he can
mow down armies of loyal forces with just two huge guns, turning
somersaults like Keanu Reeves and proving himself the fastest
gun in Purchase, New York. Taye Diggs takes a break as the
Buppie heartbreak kid to perform in the role of a man who lets
nothing stand in his way of career advancement, certainly not his
partner who has gone astray. And Emily Watson plays against
type as a gamin who insists that life without feeling is utterly
meaningless.
When Austin Powers says, "Oh behave," he never intended his
audience to turn into zombies. If drugging oneself silly is to be
the society of the future, who'd want to be part of it? There's a
plot hole that I could not resolve; how does the loyal character of
Taye Diggs become enraged at his partner and, what's more,
fiercely ambitious to become the right-hand man of the Father if
he's taking his Prozium? In any case, videogame lovers, sci-fi
fans, cinema buffs who love action at a fierce pace should go for
the film, one which might even get them thinking about the kind of
political setup they would have in their ideal society.
Copyright © 2002 Harvey Karten
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