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Review by Dragan Antulov
1 star out of 4
People in Southeast Europe say that "too many midwives deliver a
weak child." That proverb is often used by film critics in this part of
the world and illustrates a common phenomenon in the world of
cinema - project that combine great individual talents only to deliver
disappointing results. Nowhere is such phenomenon so obvious as in
the case of anthology movies. The latest such example is FOUR
ROOMS, 1995 black comedy that featured segments directed by
Allison Anders, Alexandre Rockwell, Robert Rodriguez and Quentin
Tarantino. All of the filmmakers involved were best known for their
work in independent films, and this project is designed as such.
The movie is made of four separate stories that take place in run-
down Los Angeles hotel on New Year's Eve. The common
protagonist is Ted (played by Tim Roth), recently employed bellhop
that has to deal with four different and bizarre situation. In the first
segment ("The Missing Ingredient", directed by Allison Anders) he
has to help coven of witches in bizarre ritual. In the second segment
("The Wrong Man", directed by Alexandre Rockwell) he gets
involved in sadomasochistic game between woman and her lover. In
the third segment ("The Misbehavers") he gets tipped by Latino
gangster (played by Antonio Banderas) to baby-sit his two children.
In the fourth segment ("Man From Hollywood", directed by Quentin
Tarantino) he witnesses bizarre bet involving Zippo lighters and
parts of someone's anatomy.
FOUR ROOMS features impressive casting (Banderas, Marisa Tomei,
Jennifer Beals, Tamlyn Tomita, Bruce Willis, Paul Calderon) and two
of its directors are quite talented. Yet the result is quite
disappointing, partly because their story-telling talents don't work
well within 20-minute constraints of short segments nor their
segments work in the context of the film as a whole. To make things
worse, only one of those segments ("The Misbehavers") is
entertaining, while the last (and the most attractive for snobbish
audience) is nothing more than one overlong joke. Two previous
segments are simply unwatchable, and even Tim Roth, otherwise
dependable actor, disappoints with overacting. If not for Robert
Rodriguez' part, FOUR ROOMS would have been complete waste of
time, but even in this state it is hardly successful advertisement of
American independent cinema.
Copyright © 2003 Dragan Antulov
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