A film that is strongly against the subject of capital punishment,
"The Life of David Gale" runs a fine line between stating its case
and coming off as a sermon. The line, however, is never completely
crossed, resulting in a riveting mystery-drama filled with absorbing
writing and even better acting. And for those critics who have violently
criticized the picture for having an ulterior motive have missed the
point altogether. Director Alan Parker (1999's "Angela's Ashes") and
screenwriter Charles Randolph hold a definite negative opinion concerning
capital punishment, but they have wisely chosen to provide a solid
case against it rather than taking the low road of downright preaching.
Viewers are left to walk away with their own thoughts and feelings
on the matter, based on what they know and what they have just seen,
which is more than can be said about most of 2003's releases, thus far.
David Gale (Kevin Spacey), a former college professor, has found his
life the source of great irony. A man strongly against capital punishment,
he now sits on death row in Texas for the murder and rape of fellow
activist Constance Hallaway (Laura Linney), crimes he claims he did
not commit. With only four days remaining until his execution, he
has organized a 6-hour, 3-day interview with strong-willed reporter
Bitsey Bloom (Kate Winslet) in an attempt to get his side of the story
heard. Bitsey, who walks onto the assignment with equal parts skepticism
and disdain, soon finds herself believing in David's claims of innocence
as he recounts his tragic tale to her.
"The Life of David Gale" works on two levels. For one, it is an engrossing
thriller that manages to fully hold one's interest for the duration
of its 130-minute running time. And two, it states a bold and rather
believable case about why capital punishment is not always the answer
in murder cases. Whether one wants to believe so or not, there is
no doubt that people have been executed who were, indeed, innocent
of the heinous crimes they were charged of. And even if they are guilty,
one must question whether a criminal's execution can ever truly bring
closure or peace to the victim's loved ones.
David's story, told in extended flashbacks, is a poignant one. A loving
father and successful teacher, a moment of careless and consensual
sex with a student led to false claims of rape. Despite getting the
charges dropped, he finds himself losing his job and beloved family
because of it, leading him on a downward spiral with alcohol. David's
one source of hope through the ordeal is good friend and colleague
Constance, a somewhat homely woman who nonetheless is undeterred in
her battle against capital punishment. The who's, how's, and why's
of Constance's death are a mystery that hangs over the proceedings
with a sense of dread and hopelessness. Even if there is evidence
out there that proves David's innocence, will Bitsey believably be
able to find it within 24 hours when David's defense couldn't find
it throughout his trial?
The cast is superlative, a real highlight in a still thought-provoking
film. Kevin Spacey, in the best role he has had since his Oscar-winning
performance in 1999's "American Beauty," brings a warmth and compassion
to David Gale, even as he refuses to shy away from uncovering his
character's flaws and mistakes. Kate Winslet, who has kept a surprisingly
low profile since 1997's "Titanic," is thoroughly captivating as Bitsey
Bloom. One interesting thing to note is that this is Winslet's first-ever
modern-day part, and it is refreshing to finally see her in jeans
and shirts rather than corsets. As the ill-fated, good-hearted Constance,
Laura Linney (2002's "The Mothman Prophecies") is touching in a courageous
role that calls for her to be involved in some pretty disturbing situations.
Lending fine support are Gabriel Mann (2002's "Abandon") as reporter
intern Zack, who tags along with Bitsey and helps her out in her investigation,
and Melissa McCarthy (2002's "Pumpkin") as Nico, a goth chick who
now lives at the scene of the crime and runs a museum/tour for those
interested in seeing where Constance's death took place.
"The Life of David Gale" is not always air-tight in some of its plot
developments, and a running subplot involving a mysterious cowboy
who is following Bitsey is too obvious and distracting. These minor
missteps are a small price to pay, however, for a film whose cumulative
effect is powerful, to say the least. The cinematography by Michael
Seresin (2001's "Domestic Disturbance") should also be noted, pulsating
to life and taking advantage of both the desolate and bustling landscapes
Texas has to offer. With "The Life of David Gale," director Alan Parker
has concocted a well-made, smart dramatic thriller, and a fair indictment
against the death penalty for viewers willing to open their minds.
Copyright © 2003 Dustin Putman