Review by Dragan Antulov
1½ stars out of 4
One man's medicine is another man's poison. At least this is the
conclusion you could draw after watching MOONLIGHT AND
VALENTINO, 1995 romantic drama directed by David Anspaugh.
The plot of the film is based on 1989 autobiographical play by Ellen
Simon, daughter of famous American playwright Neil Simon. In it
Ellen Simon tried to deal with her own grief for husband killed
during jogging.
In the film Ellen Simon's alter ego is Rebecca Trager Lott (played by
Elizabeth Perkins), woman who teaches poetry at one of New York's
colleges. Her life is shattered with the news about her husband being
killed while jogging. Rebecca must find a way to move on and in
doing so she receives support from three other women, burdened
with their own problems. Rebecca's best friend Sylvie Morrow
(played by Whoopi Goldberg) fears that her husband is going to
leave her. Rebecca's younger sister Lucy (played by Gwyneth
Paltrow) is troubled by virginity. Rebecca's stepmother and
successful businesswoman Alberta (played by Kathleen Turner) can't
get over the fact that Lucy and Rebecca still love their deceased
mother more than her. In the meantime, Rebecca gets attracted to
young and mysterious housepainter (played by Jon Bon Jovi).
MOONLIGHT AND VALENTINO could have served Ellen Simon
very well, but the filmmakers and audience weren't that lucky.
Hollywood adaptation of the play looks exactly like those Hollywood
products that have given bad name to phrases like "chick flick" and
"dramedy". Characters are mostly uninteresting and live in fairytale
world of American upper middle class, so far away from the average
viewers in the theatres. Another problem is utter predictability of the
plot - the audience won't have any problems guessing how the film
ends and how characters are going to deal with their problems. But
the biggest problem for MOONLIGHT AND VALENTINO is its
position in the limbo between drama and comedy - the subject is too
serious for film to be taken as a comedy, while forced "quirkiness" of
the characters take away its credentials of drama. Director David
Anspaugh, torn between those two worlds, is unable to find proper
direction for this film. The general impression of MOONLIGHT AND
VALENTINO is, on the other hand, salvaged by diverse and talented
cast, among which Gwyneth Paltrow is the best, and rock star Jon
Bon Jovi the most interesting actor. However, although
MOONLIGHT AND VALENTINO is watchable, the viewers would
probably feel that the better use could have been found for that many
talents.
Copyright © 2003 Dragan Antulov
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