Review by Dragan Antulov
2½ stars out of 4
John McNaughton didn't have much luck with Croatian film and
video distributors. HENRY: PORTRAIT OF A SERIAL KILLER, his
best-known film, wasn't released in this part of the world. Those
films that had been released haven't fared much better, mostly thanks
to Croatian distributors' annoying habit to "creatively" translate
movie titles. MAD DOG AND GLORY became ONE WOMAN, TWO
MEN while NORMAL LIFE, little known 1996 crime drama, was re-
christened into OUTSIDE LAW.
The plot of NORMAL LIFE is inspired by real events that took place
in Chicago (and were later covered in TV-movie IN THE LINE OF
DUTY: BLAZE OF GLORY). Chris Anderson (played by Luke Perry)
is young idealistic policeman who meets factory worker Pam (played
by Ashley Judd), falls in love with her and gets married. Their union
is hardly match made in heaven because Pam happens to be seriously
messed up - she uses drugs, drinks too much, suffers from occasional
suicidal outbursts and, last but not least, spends too much. All this
becomes unbearable for Chris, especially after he loses his job in
police force. Despite Chris doing double shifts as security guard to
make ends meet, Andersons are in the vicious circle of credit card
debt and close to poverty. In despair, Chris finds simple but
dangerous solution - he would use his intimate knowledge of police
procedure to conduct series of perfect bank robberies. Plan works
and Andersons start to get a slice of "normal" suburban life, but Pam
then discovers the source of this new wealth and decides to
accompany her husband during robberies, just for the thrill of it.
Just like in HENRY: PORTRAIT OF A SERIAL KILLER, McNaughton
gives interesting portrayal of pathological characters. In that he
receives great help from Luke Perry. In this film former BEVERLY
HILLS 921000 star showed that he was something more than a pretty
face and that he indeed could act. Chris Anderson is his most
complex and convincing role so far. In it he displays whole variety of
emotions and contradictions within the same character - man who
takes the very same professional and methodical approach when it
comes to enforcing and breaking the law; in the same time this mask
of cold professionalism hides fatal vulnerability. Ashley Judd, on the
other hand, wasn't that lucky with her character, since Pam Anderson
looks more like a walking encyclopaedia of social pathology than
someone that could attract seemingly down-to-Earth and no-
nonsense character like Chris. McNaughton also spoils generally
good impression of the film with "cute" filming techniques and
distracting use of punk music. Notion that the materialistic culture of
American suburbs contributed to Andersons' crime spree is briefly
touched upon and never properly explored. However, despite its
prosaic title and almost total obscurity, NORMAL LIFE is quite
extraordinary film that shows how the most outrageous stories can
spawn from the most banal real life circumstances.
Copyright © 2003 Dragan Antulov
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