|
Review by Harvey Karten
3 stars out of 4
This item is reported on CNN just four days before the opening of
"The Recruit," putting Roger Donaldson's spy opera right into this
week's headlines...
Ex-Airman's Death Penalty Spy Case Opens
By JONATHAN D. SALANT
ALEXANDRIA, Va. (AP) - The first spy trial in 50 years that could
result in the death penalty opened Monday with prosecutors
portraying a retired Air Force master sergeant as willing to sell out
his country for a price and his lawyers saying he had nothing of
value to offer.
Brian Patrick Regan is charged with offering classified information
to Iraq, Libya and China. If convicted, Regan could become the
first American executed for spying since Julius and Ethel
Rosenberg in 1953. The Rosenbergs were convicted of conspiring
to steal U.S. atomic secrets for the former Soviet Union.
Seems we're back in the 1950s except that now that Pootie-
Poot and President Bush are tete-a-tete, the guys with the big
bucks trying to recruit American spooks are from the Middle East
and (surprise) our Coca-Cola drinking buddies in Beijing as well.
In Donaldson's thriller, written by Roger Towne, Kurt Wimmer and
Mitch Glazer, the CIA is back in fashion and, now that our
president has authorized assassinations around the globe,
applications are said to be hitting the roof. Nonetheless,
bypassing all the bureaucratic paper from eager and patriotic
college seniors, long-term CIA instructor Walter Burke (Al Pacino)
is intent on recruiting a guy who he thinks has Central Intelligence
in his blood. Fortunately for the women in the movie audience,
that guy is about the most ruggedly handsome young actor in
town, Colin Farrell, who plays M.I.T. top graduate James Clayton
whose muscles match his mind and who per formula falls in love
with a classmate named Layla (Bridget Moynahan). Is Layla the
mole being sought by Burke? Is Zack, A Farsi-speaking white-
bread fellow also in training?
This big mystery notwithstanding, the most fortuitous feature of
this cloak-and-dagger tale is not the pursuit of the villain; not the
obligatory car chase, not the one explosion that takes place on
the set, but the look-see that Donaldson gives us into the making
of a CIA operative on the training grounds known as The Farm.
For those who think the Central Intelligence Agency has become
a bunch of tired old men pecking away at their computers issuing
data that look more like make-work than attempts to catch
Osama, "The Recruit" sets us straight. It's a lot more fun.
Lest anyone in the audience not catch the tagline, Pacino's
character repeats it several times: Nothing is what it seems. For
example, blink and you may not catch the sign that appears near
the entrance of the CIA building at Langley, "George Bush Center
of Intelligence." Is the sign real or an example of Donaldson's
sense of humor? The otherwise humor-challenged picture pits
Walter Burke as a father figure to James Clayton, with Al Pacino's
usual over-the-top performance directed toward a man who had
lost his father in 1990 in a mysterious plane crash over Peru.
Despite an offer by a major computer company that could see
James making 200K in a matter of years, idol-worship of his dad,
presumably a CIA man, motivates Clayton's taking the bait from
Burke, joining that instructor's CIA training program, and jumping
hoops to make the grade as a force for truth, justice and the
American way. Falling for an intelligent classmate, Layla (Bridget
Moynahan), he is shocked to hear from Burke that Layla is under
suspicion for selling secrets to the enemy and assigned by Burke
to the job of flushing out the evidence.
The first seventy-five minutes, though not edge-of-your-seat
suspenseful, provide the audience with a look inside the top
security building at Langley including some tests which may or
may not be currently used. One involves a major step forward in
lie detection wherein a machine magnifies the eye to search for
signs of dilation which means that the testee is telling a big fib.
Aside from that, James Bond toys are limited in a film that is
better in demonstrating the hazards of CIA hazing than in
presenting a believable or even clear outline of its concluding half
hour.
Acting is tops, with the handsome, Irish-born Colin Farrell
standing up quite well against the intimidating Al Pacino while
Bridget Moynahan, who lacks Farrell's flat-out appeal, turning in a
workmanlike performance. If anyone wonders how you're going to
keep 'em down on the Farm when private industry pays six figures
to the caliber of people in Central Intelligence, the pure excitement
of basic training may in itself provide the answer if you have it in
your blood.
Copyright © 2003 Harvey Karten
|