'Affliction' is not as obvious a film as it may seem. Besides showing
the inherited traits that are often passed down from father to son, this
film also strives to show one man weak enough to actually swallow that
theory whole. His feeling of worthlessness, his dysfunctional life, his
incompetence on the job, and his ability to eventually alienate everyone
in his life he cares about but he manages to hang on to the one person
most detrimental to himself before things turn tragic and the course of
his life will be changed forever by the film's conclusion.
Nick Nolte as Wade Whitehouse, gives his finest performance to date as a
small town police officer in upstate New Hampshire who looks the other
way for his so-called friends, has an ex-wife who hates him, a young
daughter who finds him weird, and a girlfriend (Sissy Spacek) who tries,
unsuccessfully, to change him. He drinks and while indications of the
film's description you may have read elsewhere may lead you to believe
that alcoholism is the inspiration for the film's title, the real
affliction is the monstrous behaviour burdened upon Nolte by his
brooding, violent, irresponsible and alcoholic father Glen (James
Coburn). Coburn's portrayal is, in many ways, more scary than most
manufactured monsters shown in some of the most sinister horror and
science fiction films. Uncaring, unloving and a human being with
absolutely no redeemable qualities, Coburn is one of the sharpest
supporting players seen in film in years and his character is so
realistic that it will haunt many long after they leave the theatre.
The film has narration by Wade's brother Rolfe (Willem Dafoe). Dafoe
also has a small part as Wade's younger brother who leads a normal life
and despises the abyss his father and brother have fallen into. He is a
successful school teacher and the remarks aimed at his family are less
than endearing.
'Affliction' is based on the novel by Russell Banks, the author of 'The
Sweet Hereafter' and the film is written for the screen and directed by
Paul Schrader who has worked on such screenplays for the movies as 'Taxi
Driver' and 'Raging Bull'. Schrader's screenplays and in this case his
direction, looks abstract to the genuine concept of entertainment. I
also had a similar criticism of 1998's 'A Simple Plan', which generated
a similar feeling as this film does. Just because these films purport
to tell a story about the true condition of the human soul and how it
can be destroyed can make for fine film focus but they often have
limited entertainment value attached to them, especially with such a
downer ending, which they often contain.
To expand on the comments made about Nick Nolte and James Coburn, I must
say that I never expected them to be as perfect on screen as father and
son as they are in the finished product. Coburn has always been an
under rated actor and has always managed to please in his employment as
a performer. And what can you say about Nick Nolte? A man with only
one Oscar nomination to his credit for 1991's 'The Prince of Tides',
this film could easily win Nolte an Oscar but it wouldn't be genuine
unless Coburn also wins. Although there is only twelve years between
them in real life, they truly look like father and son on screen. Nolte
should have received additional Oscar nominations in his career for work
in 'North Dallas Forty', 'Under Fire' and 'Weeds'.
The last thing that I can say about this film is that Nolte's
performance, while totally convincing and heartbreaking is also the
stuff that fits the first line of this review in so much that his
performance is not obvious. For the first hour or so, his character is
rather sedated. But we come to later realize that Wade Whitehouse is a
man who has in fact, bottled up his feelings for so long that when the
film concludes, we find that sometimes it's better to let your feelings
out rather than control them to the point where they build to the point
of eruption which is inevitable among human beings.
Copyright © 2000 Walter Frith