There are a couple of angles at which to approach
_Star_Wars:_Episode_I_--The_Phantom_Menace_: in comparison to the three
episodes that have been released; or, ideally, as an individual film, in
and of itself. In the latter regard, _The_Phantom_Menace_ is the type of
exceptionally well-made, highly imaginative science fiction adventure
that one would expect from the mind of series creator George Lucas, who
makes an impressive return to the director's chair after a self-imposed
22-year hiatus. It is in the former respect, however, that the film
cannot help but fall short.
The shadow of the first three films released in the series--1977's
_Star_Wars:_A_New_Hope_ (Episode IV), 1980's _The_Empire_Strikes_Back_
(Episode V), and 1983's _Return_of_the_Jedi_ (Episode VI)--looms large
over _The_Phantom_Menace_, and it's not just because those landmark films
have such an enduring legacy. Rather, it's because Lucas's
_Phantom_Menace_ script is a hodgepodge of different elements from those
three films. To start, the Gungan, an amphibious race on the planet
Naboo, are scrappy warriors along the lines of _Jedi_'s Ewoks; a pod
racing scene is pretty much _Jedi_'s forest speeder bike chase
transplanted onto the desert; dual light saber-wielding villain Darth
Maul (Ray Park) is a badass scenestealer in the tradition of Boba Fett,
who first appeared in _Empire_.
The installment that _The_Phantom_Menace_ most closely resembles,
however, is _A_New_Hope_. There's a wise elder Jedi Master, Qui-Gon Jinn
(Liam Neeson), not unlike _A_New_Hope_'s Obi-Wan Kenobi. Obi-Wan is also
in this episode, in a younger, wilder incarnation (played by Ewan
McGregor) that recalls Luke Skywalker. Other similarities include a
lavish celebration scene, the destruction of a space vessel, and the
intricate, Princess Leia-to-the-next-level hair design of her future
mother, Queen Amidala (Natalie Portman) of Naboo.
Unfortunately, _The_Phantom_Menace_ also falls into the same narrative
rut that _A_New_Hope_ did in its first act, but to a much larger degree.
After an interesting opening section, from Qui-Gon and Obi-Wan's rousing
slice and dice through squads of battle droids aboard a Trade Federation
spaceship to their rescue of Amidala from evil Federation forces on
Naboo, the story gets bogged down in exposition once our heroes land on
the desert planet of Tatooine. There, Qui-Gon discovers young Anakin
Skywalker (Jake Lloyd), the future Darth Vader and focal character of
this trilogy of _Star_Wars_ films. As Qui-Gon and Amidala's handmaiden
Pradmé get to know "Ani" and his mother (Pernilla August), the film slows
to a crawl. Making the proceedings no less tedious is the strained comic
agony (as opposed to "relief") of Jar Jar Binks (Ahmed Best), a chatty
Gungan who becomes Qui-Gon's sidekick. Far from lovable, I wanted to
strangle the critter by his second scene.
Things pick up with the aforementioned pod race sequence (which, I must
say, is every bit the thrill ride the _Jedi_ speeder bike chase is), only
to fall into more talky exposition, which only serves to make
_The_Phantom_Menace_'s main story needlessly convoluted and, as such,
largely uninvolving. Basically the plot boils down to Amidala being
violently strongarmed into a treaty with the evil Trade Federation, which
has been working with the mysterious Darth Sidious (the "Phantom Menace"
of the title), whose main enforcer is the deadly Darth Maul.
However, this is not to say that the first two-thirds of
_The_Phantom_Menace_ is as dry as a Tatooine summer (or spring... or
fall... or winter). Far from it--though the story may not keep one
consistently engaged, there are other things that do. Always capturing
one's attention--and imagination--are the state-of-the-art visual effects
on display. One of the greatest delights of this and the other
_Star_Wars_ films are the new worlds springing from Lucas's fervid
imagination. Tatooine is the only familiar pit stop; also on the travel
itinerary are the Coruscant (briefly seen at the end of the _Jedi_
Special Edition), the city-covered planet that serves as the home of the
Galactic Senate; Naboo; and the Gungan's hidden undersea home on Naboo.
Then, of course, there are the various effects used to populate the
streets of these worlds with exotic alien creatures, as well as those
used to depict the spaceways and the crafts that travel them. Some CGI
shots are more convincing than others, but they never fail to be the
slightest bit believable or intriguing.
The new troupe of actors holds their own against the largely digital
landscape. Neeson exudes the right air of authority and solemnity as
Qui-Gon, as does Samuel L. Jackson in a much-publicized cameo as Jedi
Council member Mace Windu. While Mark Hamill and Carrie Fisher did not
settle into their acting stride until _Empire_, Portman and McGregor have
comfortably nailed down their roles in their first outing, though
McGregor's fairly limited screen time is somewhat surprising. On the
other hand, not so surprising is the fact that Lloyd is the weak link in
the core four. In all fairness, he does an adequate job as a whole, but
that does not mean that he's immune to the stiff and cloying moments that
often befall child actors; prepare to cringe when Lloyd lets out a forced
"Whoopee!"
The numerous slow patches ultimately just makes one more appreciative of
the pure visceral excitement of the slam-bang third act. Lucas cuts
loose, following no less than four concurrent battles in which many shots
are fired from pistols and space craft, light sabers are crossed, energy
balls are flung, and more than a little property is destroyed. The
highlight by far is an exhilarating, series-best light saber duel pitting
both Qui-Gon and Obi-Wan against that dastardly Darth Maul, who more than
lives up to his pre-release hype.
That mostly all of the action comes at the end will undoubtedly
disappoint die-hard _Star_Wars_ fans and casual moviegoers alike. But
with so much hype surrounding it (largely generated, in a nice change of
pace, by the fans, _not_ the studio), there was no way
_The_Phantom_Menace_ could live up to the overinflated expectations.
What it could have possibly lived up to is the _Star_Wars_ legacy, and in
time, it very well may--with _Episode_II_ and _Episode_III_ still yet to
come (in 2002 and 2005, respectively), it's impossible to judge how well
_The_Phantom_Menace_ plays within the context of the entire saga. At
this point in time, however, _The_Phantom_Menace_, as polished and
entertaining as it is, has nothing in it that quite compares to
_A_New_Hope_'s euphoric sense of wonder and discovery; the exciting
action highs and the despairing emotional lows of _Empire_; or the
emotional catharsis of _Jedi_'s highly resonant climax.