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All-Reviews.com Movie/Video Review
Pushing Tin
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  out of 4
 Review by MrBrown 2½ stars out of 4
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_Pushing_Tin_ is not, as a friend of mine erroneously yet understandably
concluded from its title, about aluminum siding salesmen. However, the
occupation held by its main characters, Nick Falzone (John Cusack) and
Russell Bell (Billy Bob Thornton), is indeed one not typically given center
stage treatment in the movies: air traffic control. Directing planes into
a collision-free course onto the tarmac may not sound like the
action-packed stuff movies are made for, but director Mike Newell makes the
challenging yet seemingly tedious job appear incredibly exciting. The
rivalry between cocky hotshot Nick and the serious, even more skilled
newcomer Russell threatens to turn their very real and serious job into one
big game, and their battlefield of computer blips certainly resembles a
video game. However, they--and the filmmakers--never lose sight of the
lives that hang in the balance with every move of the cursor, lending Nick
and Russell's faceoff-at-the-console scenes a certain amount of suspense in
addition to their driving intensity.
Nick and Russell's rivalry naturally leaks out into the world beyond the
workplace, and that's where Newell and screenwriters Glen and Les Charles
run into turbulence. In fact, _Pushing_Tin_ is less about Nick and Russell
as air traffic controllers than it is their domestic lives. While this
inherently is not a problem, its familiarity is, and it takes about a good
hour of exposition before the film touches a crucial, and eventually
central, point--that each appears to fancy the other's wife. Nick is drawn
to Russell's vivacious 19-year-old wife Mary (Angelina Jolie), and Russell
starts to pay some much-needed attention to Nick's largely neglected
homemaker wife Connie (Cate Blanchett, acquitting herself nicely in a
contemporary role). This side of the story is well-played by all involved
and there are more than a few funny moments (a musical interlude in a
restaurant is a highlight), but instead of enhancing the film, it only
serves to make what was an original premise into something far too
conventional.
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