Movie quiz, readers...How many films have you seen that
show senior citizens doing what only young people
traditionally do--without poking fun at the old fogeys for doing
that? "On Golden Pond" you say? Sorry. While that 1981
film shows Henry Fonda and Katharine Hepburn romancing
though the crochety retired professor Norman Thayer is 80
years old, director Mark Rydell is not above condescending to
them because of their years. Nonetheless "On Golden Pond"
is a rarity of a Hollywood film in a culture that glorifies the
potency, beauty and physical prowess of youth. Any other
guess? Send your answers to me at
film_critic@compuserve.com.
Here's one that displays four fogeys engaged in the work
heretofore assigned exclusively (with the exception of John
Glenn) to the younger baby-boomers. The movie is "Space
Cowboys" and darned if Clint Eastwood doesn't make good
use of Ken Kaufman and Howard Klausner's script, which is
loaded with self-deprecating humor that overshadows even the
less-than-indulgent mood of the officials who are overseeing
their space project.
"Space Cowboys" looks almost like two movies in one.
The first segment, the part that delves into the character of
four older individuals who have been reluctantly chosen to go
on a NASA space mission, is the superior two-thirds. Entirely
earthbound not only in its physical dimensions but in the
down-home humor evoked by the four non-traditional
astronauts, this fragment pits four eccentric characters in
their sixties against the NASA establishment and in conflict
with one another as well. The physical and verbal temper
may not have the originality you'd expect of a Woody Allen
film, but the talent of the four stars makes up for anything
that's less than envelope-pushing waggery.
The story opens in 1958 when the airborne Team Daedalus
is retired once NASA is created, and the human beings who
expect to be the first astronauts are replaced by simians--
leading to a long period of bad feelings between the team led
by Frank Corvin and the official in charge of the project. The
principal plot, which takes place in the present day, turns on
an emergency situation in outer space, where a satellite
allegedly used for communication and which has been
designed and borne aloft by a combined U.S.-USSR team
during the bad old days of the Cold War is in danger of
crashing into the atmosphere. Because the technology is
now obsolete, the only people familiar with the satellite's
design are Frank (Clint Eastwood), Hawk Hawkins (Tommy
Lee Jones), Tank Sullivan (James Garner) and Jerry O'Nell
(Donald Sutherland). They would be the obvious people to
do the job, except that their combined age is about 250. The
age quandary becomes the principal motif of the film.
The laughs in this movie are not of the deep-belly sort and
"Space Cowboys" may therefore not appeal to the usual
targeted audience of the Hollywood studios. But for the more
sophisticated young people and for a large segment of
middle-aged and older people, Eastwood's movie is just short
of being a gem. The waggery begins straight off as Frank
makes the rounds to dig up the buddies he has not seen for
four decades, each somewhat reluctant but none about to
pass up an opportunity for one final blast in their lives. As
they go through the training program, we watch them barely
able to match even half of what they'd been able to do when
in their thirties, whether the conditioning involves pumping
iron, racing about the track, or even in one case the simple
reading of an eye chart. (Jerry, who wears coke-bottle
glasses, rattles off the entire chart, explaining to his pals that
his memory is far better than his eyesight.)
During the second, and less engrossing, one-third of the
drama, director Eastwood takes himself and his team--which
includes young astronauts Ethan Glance (Loren Dean) and
Roger Hines (Courtney B. Vance)--into orbit as the men and
women on the ground observe their progress with anxious
looks. Marcia Gay Harden performs believably as a thirty-
something woman who, during the 30-day training program,
seems to have fallen in love with the aging Hawk Hawkins,
while James Cromwell does a neat turn as the Bob Gerson--
the sinister high U.S. government official with a secret and
hostile agenda--an indelible component of conspiracy movies.
Kaufman and Klausner's story includes a captivating twist as
we learn something about the satellite that only the vice
president and a couple of NASA officials are aware of.
While the second portion of the movie lacks the originality
of the opening segments, the special effects are at times
dazzling, giving the audience a feeling of the speed of the
spacecraft, the vastness of the universe, and the usual
designs we're familiar with from watching movies like
"Armageddon," "The Right Stuff," and "Mission to Mars."
Copyright © 2000 Harvey Karten