Oh my word, what a weird movie this is. Rob Reiner's "The Story of Us" is
atrocious from every angle, a film with a pointless concept, evasion of its
central issue and the most embarrassing moments of comic relief you could
possibly imagine. Who wants to see clips of a married couple fighting for an
hour and a half, especially when we never really understand what they're
arguing about, we don't know how seriously we're supposed to take it, and it
keeps getting interrupted by some of the worst-written 'wit' in entertainment
history? Not me.
Bruce Willis and Michelle Pfeiffer star as the husband and wife, who live in
suburbia and have two young children. He's a sitcom writer. She scripts
crossword puzzles. They put on an act of happy families for the kids, but in
private can no longer stand each other. Flashbacks attempt to show us the
marriage disintegrating. Present-day scenes involving the former lovebirds
are a combination between shouting matches and uncomfortable silence.
One my major problems with "The Story of Us" is that we're rarely actually
informed what it is the couple are fighting about. The one scene that does
reveal the problem at hand is completely insipid -- Willis is trying to tell
Pfeiffer that his old apartment block has been demolished, and she's doing
something else, and can't hear him. Aww. The rest of the time the pair are
telling each other how bad they feel or how much they hate each other, but
they don't say WHY. What started all the fights we see? Who knows. Reiner,
the director, and his screenwriters, Jessie Nelson and Alan Zweibel, just
want to show us a parade of insults.
The characters are strange people anyway. At the dinner table, they always
play a game called "High-Low", which involves all family members taking turns
to share their best and worst moments of every day. Do people do things like
that in real life? I thought that kind of sentimental crap was just for 1950s
sitcoms?
The dialogue is abysmal. People around me in the screening of the film must
have thought I was an oddball, because I was literally wincing at it. Then
again, maybe they knew how I felt. There is an array of dire ironic speeches
in the movie, all of which are so transparently constructed that they come
across as read rather than spoken. They appear when Willis and Pfeiffer are
asking their friends for advice, and resemble obnoxious versions of the
chatter in "Seinfeld". Typical example: "Hey, I jerked off to your secretary
last night; is that okay, or against the rules?" "Pound away, man, it's not
an affront to me." "Cool. Hey -- whaddya think -- is masturbating technically
cheating, or not?"
Here's an even worse moment, involving Reiner himself, in a smug cameo
appearance as one of Willis's friends. The two guys are walking in the park,
talking things over. Reiner stops in the middle of a pathway, bends over and
says something to the effect of: "You see that? That's my ass, right? Wrong.
There is no ass. Just a fatty part at the top of my legs. There just is no
ass! And just as there is no ass, there is no true love. It's all an
illusion." I swear to God I'm not making this up. The movie really is this
bad.
The ending is yet another speech, a big, loud emotional moment in which
Pfeiffer starts screaming a revelation about why she and Willis should stay
together. This goes against everything that has gone before, and her
reasoning, essentially, is that even if the couple end up leading miserable
lives, at least they won't have to face change. Was this movie made by aliens
who wanted to satirise human irrationality? If so, I wish someone had told me
before I went in. It would have clicked things right into context.
Copyright © 2000 UK Critic