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The World is not Enough

movie reviewmovie review out of 4

All-Reviews.com Movie Review: The World is not Enough

Starring: Pierce Brosnan, Sophie Marceau
Director: Michael Apted
Rated: PG-13
RunTime: 128 Minutes
Release Date: November 1999
Genres: 007, Action, Suspense


*Also starring: Denise Richards, Robert Carlyle, Judi Dench, Samantha Bond, Robbie Coltrane, Maria Grazia Cucinotta, Desmond Llewelyn, John Cleese



Review by AlexI
2 stars out of 4

I am extremely sorry to disappoint you, but although the latest addition to the Bond-films is still entertaining, it is "not enough" to impress the awaiting fans. The series is obviously showing its age. Even James Bond can't survive 19 returns to the big screen.

James Bond is the world's most famous secret agent. Highly trained, suave and sophisticated, James Bond has a license to kill, as indicated by the "00" before the "7". In past missions, Bond has been into space, under the oceans and even driven around the streets of St. Petersburg in a tank. Tomorrow Never Dies revealed a Bond that was happiest blazing machine guns, and grinning at his gadgets which, as many fans have pointed out, is in complete contrast to the man Fleming originally envisaged. However, The World Is Not Enough has a surprise in store for us. The scriptwriters have decided to delve deeper into Bond's character, making him more vulnerable than before, and have decided to make a more realistic, gritty film.

Bond's assignment for TWINE is to protect Electra King (Sopie Marceau) from Renard () whilst she oversees the construction of the oil pipeline. He gets to go skiing, spends a greater amount of screen time with M (Judy Dench) than usual and above all, utters the immortal "Bond....James Bond" while a huge explosion rips through a building behind him. Brosnan, 46, who played the famous agent since "Golden Eye", is quoted as not enjoying working on the previous Bond film, Tomorrow Never Dies, saying, "The last one was a bit like pulling teeth. This one's been like an old pair of shoes. "

In the days of Sean Connery Bond-films were always ahead of their time. Q's inventions that were presented were therefore both innovative and entertaining. Those inventions, Connery's charm and the humorous, some times even self-ironic elements made those films both light and easy watchable films that served as pure entertainment.

Michael Apted promissed a deeper story and specatcular action, but he can't expect to dazzle the modern audience with the action scenes presented in "..Not Enough", because they seem pale compared with science fiction- and action films released by the hundreds every year, where the effects and action of one were surpassed by the next. His film is at times entertaining, but it is not James Bond; it's a common action film that doesn't present any interesting material. The famous James Bond-formula is not intact: the bad-guy in the story is not evil or sinister enough. He doesn't have any scary bodyguards or unstoppable agents. He doesn't seem like a man that is powerful and dangerous enough to change the world. Apted added a softer side to his character, making him more vulnerable. That makes the impression even worth. Bond-films can be compared with fairytales and have a similar formula. It is therefore necessary to have simple, but not primitive characters. There have to be bad-guys that are both clever, powerful and evil beyond belief, so that they seem threatening and at first glance impossible for our hero to conquer. By adding a softer side to the evil bad-guy, the director is attempting to create a more real and three-dimensional character. This is completely unnecessary and seems out of place in a film like this. An attempt to take all the enormous exaggerations in this film seriously would be impossible, and jet Apted's changed and unstable atmosphere doesn't make it possible to laugh at the action or events presented, nor enjoy the movie as a typical light and humorous extravaganza. The total outcome of this is that the characters and their interrelations seem unfinished, simplified and unreal.

The success of Bond-films throughout the years has been self-irony. An attempt to take the story more seriously can actually ruin the whole picture - that has always been the most important ingreediance in the formula. Our hero survives explosions, rains of bullets, car chases and comes dry out of water after chasing a submarine. The beautiful and tempting women, the dangerous missions and Q's "practical" inventions are all present. But although the locations are frequently changing, moving from London to Kazakhstan, from the height of the snowy Alps to the depth of the ocean, the suspense element is somehow gone and there is no particular story between the action sequences.

And then there is the acting. Pierce Brosnan is worth a notice, but he remains nothing more than an acceptable Bond, especially when compared with Sean Connery. The major problems in the script make Bond's character seem underwritten. What was intended as an improvement of his character, by adding more emotions and vulnerability, results in confusion, unsure acting, unfinished relationships and unsteady direction. Sophie Marceau on the other hand is very impressive, partly because of her talent and appearance, partly because her character is the best written and meaningful in the film, responsible for the one and only surprising twist in the story. Judy Dench is playing the first female leader in the history of British Intelligence - a woman that is both strong and powerful. Dench makes most of her underwritten character, but it's a pity that one of the most interesting characters in the story is undeveloped. A dose of really bad acting comes from Dennise Richards. There has to be more than a well shaped body and a lab coat to convince me that she is a scientist.

The previous Bond-films were known for their humor and amusing appearance. The secret is exaggeration in plot and action sequences. By crossing the line, and go beyond what most people find believable, the directors obtain that element of self-parody that these movies are known for. "..Not Enough" begins swell with the kind of stunts that made Bond famous; the impressive musical score and staggering credits, but as the events are progressing, it becomes less interesting and duller for every minute. Apted's exaggerations are too extreme and neither funny nor innovative. Because of the confusing atmosphere in the film, we are not sure whether to take this seriously or just laugh, it is impossible to do neither. The humor is instead turned into several jokes, provided by Robbie Coltrane, a character that is very similar to the characters created by the Disney company in their animated films, invented for one purpose - comic relief.

Those jokes, the well tuned musical score, impressive locations and a dose of amusing acting from Sophie Marceau and Robbie Coltrane elevate the film to the average level of what we are used to watch. To make a long story short,"The World Is Not Enough" seems more like an extinction of the Bond series than a recycling of it.

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